In his first solo show Vandals, Winter Vandenbrink explores the idea of belonging, examining the relationship between the youth and their daily environments. Titled after a 1945 text by German philosopher Theodor W. Adorno, a work which has a leading influence on the Dutch photographer’s artistic practice, the exhibition delves into the impact that rising consumerism and mass culture have on individuality.
Showcased at the Von Der Hoeden Contemporary gallery in Hamburg, the 13 unique works display a candid look into the youth subcultures of the modern European metropolises. The subjects, mostly unaware of being photographed, are captured during their daily hangouts in the urban landscape – linking up in the public spaces of their cities to chat, skate and perhaps cause a little bit of trouble.
The raw photographs bring the role of fashion in shaping these communities to the forefront. Through wearing instantly recognisable garments from mega sports corporations like Adidas and Nike or brands like Calvin Klein, adolescents are able to effectively express their desire to belong to a specific group. Vandenbrink’s evocative images act as a vocabulary, introducing the viewers to the visual language that connects his subjects and inviting them to question the concept of authenticity in the contemporary world.
Vandals by Winter Vandenbrink is on view at Von Der Hoeden Contemporary in Hamburg from April 19 to May 23.
Words by Martin Onufrowicz
