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PRADA, REWORKED

With Re-Cashmere and Re-Wool, Prada brings the thinking behind Re-Nylon to a different part of the wardrobe. Cashmere offcuts, spinning residues and surplus fabrics become the starting point for new knitwear and ready-to-wear, made in Tuscany and Umbria.

Re-Cashmere uses 100% recycled cashmere, while Re-Wool blends virgin wool with recycled wool and cashmere. One detail feels particularly considered: the recovered materials are sorted by colour, avoiding the need for further dyeing. What gets made depends on what is available, so quantities are limited and the same shade may never return exactly as before.

That small variation is perhaps the most appealing part. Across sweaters, jackets, trousers and skirts, the process leaves room for a certain unpredictability. For a house with such a precise visual language, letting the material set a few of the rules feels like a fitting way forward.


PART OF HIS OWN WORLD

Saint Laurent celebrates the singular vision of Martin Parr with an exhibition at Saint Laurent Montaigne, curated by Anthony Vaccarello, running from October 15 to January 13, 2027.

Known for his saturated colours, direct flash and unmistakable sense of humour, the late British photographer transformed ordinary moments into sharp observations of contemporary society. From tourism and consumer culture to everyday rituals, Parr's photographs reveal the absurdities hidden in plain sight.

The exhibition highlights his Autoportrait series (1996–2015), in which Parr turned the camera on himself through portraits taken by professional photographers, amateurs and photo booths around the world. Playing with disguises, artificial backdrops and the visual language of tourism, the series offers an ironic exploration of identity and self-representation.

Following their collaboration on Saint Laurent's 2025 campaign An Ordinary Day, the exhibition continues the dialogue between the House and the photographer, celebrating a distinctive perspective that continues to influence contemporary photography.


THE CITY WEARS GUCCI

Gucci takes to the streets of New York with GucciCore, a new campaign photographed by Peter Funch, celebrating the city's diversity, individuality and unmistakable energy.

Captured across New York, the images bring together groups of people with distinct personalities and personal styles. Exploring the relationship between the individual and the collective, Funch transforms the city's streets into a portrait of contemporary identity, where fashion becomes a reflection of the people wearing it.

First unveiled on a Times Square runway in May 2026, the GucciCore collection establishes a foundation for the House's evolving aesthetic under Demna's creative direction. Classic wardrobe staples, from trench coats and tailored suits to shirts, peacoats and pencil skirts, are infused with Italian glamour and elegance.

At the intersection of urban individuality and timeless dressing, GucciCore captures the many faces of New York through a distinctly Gucci lens.


THE IMAGES WE KEEP

Simone Leigh, Sentinel (Mami Wata), 2020–21. Installation view: Prospect. 5, New Orleans, 2021–22. Courtesy Prospect New Orleans

Photography by Alex Marks

At the Palais d’Iéna, Alice Diop is making room for a library. Chambre à soi, a living room with carpets featuring a motif by Mary Lee Bendolph, will hold the books that have shaped her thinking and offer somewhere to sit and read. Within the building’s monumental concrete architecture, familiar as the setting for Miu Miu’s shows, this domestic space gives a personal subject a public home.

Conceived at Miuccia Prada’s invitation for Art Basel Paris, Geste de Consolation is the filmmaker’s first exhibition. It follows Fragments for Venus, her 2025 contribution to Miu Miu Women’s Tales, and continues her examination of how Black women have been represented and fetishised throughout art history. Here, Diop gathers the artists and writers whose work has sustained her, women who, she says, have healed and nourished her. Their presence gives the exhibition the intimacy of a self-portrait made through other people’s work.

Alice Diop by Brigitte Lacombe

A photograph by Zanele Muholi opens the route. Diop’s own installation brings together archival images and film excerpts across two screens, placing images that have troubled her alongside those that have offered comfort. Across four connected spaces, she applies the logic of film editing to an exhibition: an image leads into a room, a room into a voice, with meaning emerging through their proximity.

Texts by writers including Audre Lorde, June Jordan, Zora Neale Hurston and Marie NDiaye will be read aloud. The programme also includes an adapted version of Nadia Beugré’s Prophétique and performances by Angel Bat Dawid with Sistazz of the Nitty-Gritty. Reading, listening and watching become shared activities, and Chambre à soi extends that invitation: visitors can sit with the books behind a filmmaker’s way of seeing and follow an interest at their own pace.

The route ends with Simone Leigh’s Sentinel (Mami Wata). Nearly five metres tall, the bronze figure is encircled by a serpent and draws on a water spirit whose image has travelled across Africa and its diasporas. Her scale introduces something formidable into this gathering. Diop’s choice to close with a figure associated with both creation and destruction gives the word “consolation” an unexpected edge.

Hand image: “Sénégal en saison sèche,” FPA, 1920. Background pattern: Mary Lee Bendolph, “Basket Wave” Variation

Geste de Consolation, conceived by Alice Diop for Miu Miu, is part of Art Basel Paris’s Public Program.

Palais d’Iéna, Paris, 21–25 October 2026.

CHIC BELOW ZERO

CHANEL heads for the mountains with COCO NEIGE 2026, a winter collection that brings a playful retro spirit to alpine dressing. Moving effortlessly between snowy slopes and city streets, the collection combines technical performance with the House’s signature elegance.

A vibrant palette of reds, blues and yellows punctuates classic black, white and beige, while graphic stripes and colourful tweeds add a nostalgic twist. Relaxed ski suits, oversized jackets and cosy layers of cashmere, wool and jersey balance practicality with sophistication.

From fur-lined mules and chapkas to playful penguin and polar bear motifs, COCO NEIGE 2026 embraces winter with a sense of humour and freedom.

Photographed by Julien Martinez Leclerc, the campaign stars Elodie Guipaud, Feng Jiao Long and Lia Marie Mielke, capturing a winter wardrobe equally at home on and off the slopes.


ARCHIVE IN MOTION

Acne Studios joins forces with Hussein Chalayan for a 12-piece capsule collection that brings the British-Cypriot designer’s experimental vision into the Swedish house’s contemporary wardrobe. Revisiting some of Chalayan’s defining collections from the early 2000s, including Ventriloquy, Medea and Manifest Destiny, the collaboration explores the meeting point between conceptual fashion and everyday dressing.

Denim takes centre stage, alongside jersey and leather, with patchworked jeans, twisted silhouettes and asymmetrical constructions that reinterpret Chalayan’s signature approach to form. Acne Studios’ iconic Camero bag also receives a patchworked leather makeover.

Photographed at London’s V&A East Storehouse, the accompanying campaign places the collection alongside pieces from Chalayan’s archive, creating a dialogue between past and present.

The collaboration also includes Reference: Hussein Chalayan, a limited-edition book of 1,000 copies exploring the designer’s enduring influence on fashion and design.


OLD SOUL NEW SOLE

For Spring 2027, Jonathan Anderson reimagines the iconic Dior Roadie, introducing a new low-top silhouette that brings a contemporary attitude to the House’s retro-inspired sneaker. Drawing from Dior’s archives, the design blends heritage with a fresh, modern energy.

Combining suede and nubuck, the lace-up sneaker plays with contrasting colours and textures, balancing vintage references with contemporary appeal. Subtle signatures complete the design, from the embroidered or hot-stamped Dior lettering to the House’s emblematic cannage pattern embossed on the sole.

Set to arrive in stores in October 2026, the new Dior Roadie offers a playful reinterpretation of a familiar icon, where nostalgia meets everyday versatility.


COMPLETING THE PICTURE

Emma D’Arcy completes the cast of Acne Studios’ 30th anniversary campaign, photographed by Nan Goldin. Returning to denim — the material at the very foundation of the Swedish house — the campaign celebrates three decades through the people who have shaped its creative universe.

D’Arcy joins a multidisciplinary group of longtime friends and collaborators, continuing Jonny Johansson’s desire to capture “friends, not models.” Through Goldin’s intimate and instinctive lens, denim becomes personal: lived-in, direct and closely connected to the individual wearing it.

With D’Arcy’s portrait completing the series, Acne Studios closes its anniversary lineup on the same principles that have shaped the House for thirty years — creative exchange, individuality and lasting relationships.


FASHION IN THE FRAME

For its Cruise 2027 campaign, Dior turns the act of looking into a story of its own. Photographed by Sam Rock at the Los Angeles County Museum of Art (LACMA), the campaign brings together Dior muses Jennifer Lawrence, Greta Lee, Taylor Russell and Drew Starkey, caught somewhere between performance and reality as they wander through the museum’s galleries.

Under Jonathan Anderson’s vision, colour becomes a central character, drawing from sun-drenched California, Hollywood’s Technicolor golden age and the bold language of pop art. New Dior bags appear alongside pieces from the House’s collaboration with Ed Ruscha, further blurring the boundaries between fashion and art.

Throughout the series, Monet’s Water Lilies create a poetic connection between Los Angeles and Paris. Playing with what is staged and what is spontaneous, the campaign ultimately asks a deceptively simple question: are we looking at fashion, art, or something in between?


FROM LETTERS TO LEATHER

For Winter 2026, Saint Laurent introduces Simone, a new handbag that turns an intimate piece of the House’s history into a contemporary accessory. Inspired by Yves Saint Laurent’s personal letters and the envelope pouches of the 1970s and 1980s, its sleek silhouette translates the intimacy of correspondence into an everyday object.

Supple yet structured, Simone balances softness with architectural precision, while a new Double Cassandre signature offers a dimensional take on the House’s iconic emblem. Designed with functionality in mind, its refined construction conceals two compartments and a zipped pocket behind a seamless exterior.

Available in smooth leather, suede and python across a rich palette, Simone bridges past and present — transforming the simple gesture of an envelope into a new Saint Laurent signature.


WEATHERING THE COURT

For Fall/Winter 2026, Lacoste joins forces with Mackintosh, bringing together two distinct heritages shaped by innovation, functionality and timeless style. First revealed on the centre court of Roland-Garros, the collaboration unfolds across twelve pieces under the creative direction of Pelagia Kolotouros.

Mackintosh’s iconic waterproof fabric meets Lacoste’s sporting heritage through generous, precise silhouettes designed to move between performance and urban elegance. Poncho-polos, trench dresses, pleated skirts and minimalist coats combine technical construction with refined details, while flashes of red and the signature crocodile inject Lacoste’s energy into the collection.

From hand-taped seams to co-branded buttons and waterproof trims, craftsmanship remains at the centre. The result is a meeting of British outerwear expertise and French tennis culture — functional, sophisticated and built to face the elements.


SNOW DAYS

For Dior Alps, Jonathan Anderson imagines winter in motion, bringing a playful new energy to the House’s alpine universe. For his first interpretation of the collection, performance and technical innovation meet softness, heritage and a sense of whimsy.

Snow-covered landscapes, chalets and skiers unfold across knits and bags, while the iconic Dior Oblique dresses puffer jackets, coats and après-ski accessories. Shearling, suede and deep blue leather bring warmth to the season, punctuated by rhinestones, ice crystals and playful charms.

From reimagined hiking boots to cosy accessories, Anderson turns the mountain wardrobe into a dialogue between function and fantasy. Extending beyond fashion, Dior Maison completes the snowy escape with throws, cushions and decorative objects — a full winter world where alpine practicality meets Dior’s couture spirit.


BUTTERFLY EFFECT

For Fall/Winter 2026, CHANEL continues the dialogue between Matthieu Blazy and Gabrielle Chanel, drawing on the metamorphosis of the caterpillar into the butterfly as a symbol of transformation. Movement shapes a wardrobe where function meets fantasy, masculine meets feminine, and day slips into night.

The iconic CHANEL suit evolves through fluid proportions, iridescent fabrics and unexpected materials, while nature emerges through flowers, shimmering textures and delicate pastel tones.

Photographed by Julien Martinez Leclerc, the campaign brings the collection to Gabrielle Chanel’s apartment at 31 Rue Cambon, transformed into the setting of an intimate, crowded party. The accompanying film, directed by Stuart Winecoff, captures Blazy’s vision of a CHANEL in constant motion.


FORM IN MOTION

Balenciaga revisits one of its most enduring signatures with the Hourglass Avenue Bag, a new expression of the House’s architectural approach to form. Its curved silhouette traces its origins back to Cristóbal Balenciaga’s Summer 1943 collection, where structured, peplumed jackets created the suspended hourglass shape that would become part of his design vocabulary.

Over the decades, this distinctive architecture has moved from clothing to accessories, inspiring the Hourglass Bag first introduced for Winter 2019. In 2026, Pierpaolo Piccioli reimagines the icon with a softer, more fluid construction, balancing elegance with practicality.

Firm yet relaxed, the Hourglass Avenue features a hinged handle, supple folding flap and magnetic closure engraved with 10 Avenue George V — a reference to Balenciaga’s historic Paris ateliers and present-day headquarters. Rooted in the House’s past while freed from rigidity, the bag transforms an archival silhouette into an expression of contemporary ease.


A SHARED STAGE

Dior and A24 are joining forces for a two-year creative partnership spanning film, theatre and live events, bringing together two worlds shaped by a shared commitment to storytelling and artistic experimentation. At the centre of the collaboration, Dior becomes the premier partner of New York’s historic Cherry Lane Theatre, while a broader programme will connect artists and makers across disciplines.

The partnership begins with Both Ends, a one-off performance by Justin Vivian Bond celebrating the theatre’s legacy, with costumes specially designed by Jonathan Anderson and a Paul Poiret archival piece echoing inspirations behind Dior’s Winter 2026 collection.

More than a traditional sponsorship, the collaboration sets out to support both established and emerging voices, creating new spaces for creative exchange while investing in opportunities for the next generation. For Anderson, it extends Dior’s enduring relationship with cinema into a wider conversation between fashion, film and performance — one where unexpected encounters become a catalyst for something entirely new.


ICONS BEHIND THE SCENES

For its latest My Peekaboo campaign, Fendi takes its iconic bag behind the scenes, bringing together Monica Bellucci, Valeria Golino, Tang Yan and Yara Shahidi in a series of cinematic portraits.

Set against the raw atmosphere of a film studio, the images blur the line between fashion campaign and backstage moment. Spotlights, director’s chairs, equipment cases and studio doors become part of the scenery, while the Peekaboo remains a constant presence from one portrait to the next.

Each woman brings a distinct character to the bag, shifting effortlessly between classic elegance and a more intimate, off-duty attitude. Rather than placing the Peekaboo on a conventional stage, Fendi captures it in the moments surrounding one — as if caught somewhere between preparation and performance.

Across generations and personalities, My Peekaboo ultimately turns an icon into something personal: one bag, carried in four different ways.


WHO ARE YOU ?

For its Fall/Winter 2026–27 campaign, Maison Margiela steps into the realm of cinema with ANONYMITY, a film starring Rebecca Hall and directed by Thibaut Grevet. Conceived through the codes of a psychological thriller, the campaign unfolds in a dark, enigmatic atmosphere where fashion and suspense become inseparable.

Hall finds herself confronted by a masked double mirroring her appearance, turning the encounter into an unsettling exploration of identity and perception. Who is real, and how well can we ever truly know ourselves? With its vintage thriller undertones, ANONYMITY transforms these questions into a cinematic tension built around doubles, masks and uncertainty.

The project also continues Maison Margiela’s ongoing dialogue with film, following previous cinematic experiments. Here, the Fall/Winter collection becomes part of the narrative itself, inhabiting a world where appearances deceive and identity is never quite what it seems.


TOO HUMAN TO OBEY

For its latest campaign, Desigual chooses “authenticity over perfection,” with Vivian Wilson as its face. A statement of individuality and freedom, the campaign is driven by “the same free, rebellious spirit as Desigual itself.”

The choice of Wilson feels particularly resonant: as a public figure who has come to embody self-definition and the courage to exist on one’s own terms.

That rebellious energy takes a playfully literal turn as Wilson torments a robot — an ironic reversal that turns the clash between individuality and the machine into a powerful statement. Yet the message never loses Desigual’s signature optimism: flamboyant colours and vibrant silhouettes keep the rebellion bright, playful and unmistakably alive.

At its core lies a refusal to conform. “She doesn’t fight the system. She refuses to belong to it.” Wilson embodies this uncompromising attitude in a world where expectations and conventions constantly dictate who and how to be. Here, standing apart becomes its own form of rebellion: “In a world of rules, authenticity is the most radical choice.”

Born to disobey.


DESIGNING WHAT COMES NEXT

A new chapter begins for ICICLE. The fashion house has appointed Sabato De Sarno as Creative Director, overseeing its womenswear and menswear ready-to-wear, accessories and eyewear. His first collection for the house will be unveiled for Fall/Winter 2027–28.

The appointment brings together ICICLE’s long-standing philosophy of reconnecting people with nature and De Sarno’s own approach to design, rooted in material, craftsmanship and longevity. After beginning his career at Prada, followed by Dolce & Gabbana, De Sarno spent more than a decade at Valentino before taking the creative helm at Gucci in 2023. Known for his precise eye, refined construction and attention to the product itself, he now enters a house where the dialogue between nature, culture and craftsmanship has been cultivated for nearly three decades.

For ICICLE, his arrival signals both continuity and evolution: a new creative perspective grounded in the belief that what we wear begins long before the finished garment.


A NEW STEP FORWARD

Celine and Reebok meet at the intersection of two histories: Parisian attitude and American movement. The collaboration revisits the Reebok Freestyle Lo, an icon first introduced in 1982, bringing its unmistakable heritage into the present through the lens of Celine.

Built around a shared tension between past and present, the collaboration is less about nostalgia than evolution. A familiar silhouette is given a new context, carrying decades of cultural memory while remaining resolutely rooted in the now. Offered in eight colours, the Freestyle Lo becomes a playground for individuality — one style, reimagined through infinite possibilities.