TRUSSARDI CASA X MILAN DESIGN WEEK

Guided by the lifestyle heritage of Trussardi, creative directors Benjamin A. Huseby and Serhat Işık invited three artists to create furniture for an exhibition and special capsule for Milan Design Week.

The design objects will be on display in an open-for-all windows installation at Palazzo Trussardi from June 7-12.

In the spirit of the house’s approach to sharing culture with the city, Trussardi invites visitors and residents of Milan to see the works created by Mark Grattan, Kiri-Una Brito Meumann and Prem Sahib at the brand’s headquarters at Piazza Alla Scala. As the pieces will be showcased in lit windows, they can be viewed at any time of the day or night.

“These pieces are part of an ecosystem of design culture we are creating for the brand. The commonality in Mark, Kiri and Prem’s individual practices are not immediately obvious. Their methodologies and aesthetics widely divert, but their work all evokes their personal stories in unique ways,” Benjamin A. Huseby and Serhat Işık

The special capsule will be sold upon request.

Photos by Federico Torra

www.trussardi.com


SL X BETTINA PITTALUGA

The Saint Laurent Rive Droite stores are hosting the French-Uruguayan artist Bettina Pittaluga for an exceptional exhibition in Paris and Los Angeles.

Bettina Pittaluga’s approach to photography is very much about instinct, physicality, the senses and the creation of a natural luminosity.
The artist casts her benevolent and delicate gaze on individuals living their lives in the shadows, enabling us to enter their most secret places, arousing emotions and reactions in us which are far from merely aesthetic. Working only in non-digital, medium-format film, the artist prints all her own photos.

Anthony Vaccarello has selected 16 key artworks of the artist’s photographs to be exhibited in both Saint Laurent Rive Droite stores, including DOURANE, PARIS, C. 2018 and CATHYIA, SARCELLES, C. 2017.

On this occasion, a third issue of the fanzine will be available in stores, featuring Bettina Pittaluga’s photographs.


SAINT LAURENT S22 #YSL44 BY ANTHONY VACCARELLO

SAINT LAURENT

SUMMER 22

#YSL44 BY ANTHONY VACCARELLO



Art Direction by Anthony Vaccarello

Photography by Juergen Teller

Featuring Awar Odhiang, Freja Beha Erichsen, Loli Bahia, Bethany Nagy, Binx Walton

#YSL #SaintLaurent #YvesSaintLaurent #YSL

VALENTINO FW22 BACKSTAGE

ACNE STUDIOS FW22 BACKSTAGE

SAINT LAURENT RIVE DROITE X ROBERT MAPPLETHORPE

Anthony Vaccarello has chosen to pay tribute to the works of Robert Mapplethorpe through an exhibition of original works displayed in the Saint Laurent Rive Droite stores in Paris and Los Angeles in collaboration with the Robert Mapplethorpe Foundation.

In an effort to challenge the standards of classical aesthetics, Robert Mapplethorpe mastered the light, the shadows and the shapes through compositions of still lifes, both male and female nudes & portraits. These are some of his preferred subjects and the experimentation for which he is widely known. His work contributed to a new perception of photographic art, and at the same time elevated fine art photography to the level of respect and attention given to sculpture and painting.

His vast, provocative, and powerful body of work has established him as one of the most important artists of the twentieth century.

Today, Mapplethorpe is represented by galleries and is included in collections of major museums around the world.

His legacy lives on through the work of the Robert Mapplethorpe Foundation, which he created in 1988 to promote his artistic vision, and to support photography at the institutional level, making possible, photography exhibitions, publications, and acquisitions. The Mapplethorpe Foundation serves his additional mandate to support research, care, and education related to HIV/AIDS. Mapplethorpe died in March 1989, as a result of AIDS.

Saint Laurent Rive Droite Paris and Los Angeles will host an exclusive selection of original artworks by Robert Mapplethorpe. The exhibitions will include silver gelatin photographs and Polaroids of still lifes, portraits and nudes, courtesy of Thaddaeus Ropac Gallery in Paris and Morán Morán Gallery in Los Angeles.

In connection with the exhibitions, Anthony Vaccarello has designed a unique lifestyle collection in collaboration with the Robert Mapplethorpe Foundation, licensed by Artestar.
This unique limited edition includes bags, leather goods, clothing, porcelain, and pillows.

All lifestyle products are illustrated with a photograph by the artist and are available for purchase at both stores.

LOEWE WINTER 22 - BACKSTAGE

Captured by Molly Lowe

DIOR WINTER 22 - BACKSTAGE

Backstage captured by Robin Joris Dullers

BALENCIAGA FALL22 - BACKSTAGE


ACNE STUDIOS


Photography by Jaime López Cano

COURRÈGES SS22 BACKSTAGE


Photography by Jaime López Cano

KOCHÉ SS 22 BACKSTAGE


Photography by Jaime López Cano

SAINT LAURENT RIVE DROITE / INDIGO LEWIN

Rive Droite is launching FANZINE, a magazine but more concretely a platform through which thought provoking and up-and-coming creatives can express their work and talent.

The first FANZINE guest editor is the English artist and photographer Indigo Lewin, who has curated the first issue with an exclusive selection of images from her archive.

Born and raised in London, Indigo Lewin’s body of work is an honest depiction of the world she sees around her. Her curiosity and fascination with intimacy, the body, youth, and friendship, are what guide her work. What emanates from Indigo’s photographs are touching revelations of the incredible beauty behind shared moments between people. By using her intimate circle of friends as the subjects in her photographs, Indigo is able to explore this concept in a way that feels natural and authentic. She reminds us of the fragility behind these deeply personal and treasurable moments in life that are so fleeting.

In FANZINE’s first issue, Indigo’s images sit alongside her writing and personal notes. It’s a spontaneous invitation from the artist for us to connect with her, as if we were reading intimate entries from her private diary. Indigo offers us a rare glimpse into her world, full of tenderness and humanity.

An exhibition of Indigo’s work will be on display for a limited time in the Saint Laurent Rive Droite Paris and Los Angeles stores from September 16.



AN EYE FOR TALENT

For the third year in a row, KOMONO renews its partnership with the fashion department of the prestigious Royal Academy of Fine Arts in Antwerp. The brand worked with 5 talented Master students to create a pair of sunglasses linked to their graduate collection. We caught up with the students to discuss working with KOMONO and how the sunglasses added an informative, and stylish touch, to their own creative work.

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What excited you about collaborating with KOMONO?

 It was a very interesting experience to develop a saleable product for the first time. I learned that not everything is always possible in the making of a quality product. This opportunity gave me the chance to get a taste of working together with a company.

 Can you tell us more about your design and how the whole process went?

 My collection is about an artwork called ‘The Dinner Party’ by Judy Chicago. It's a gigantic dinner table made for strong women out of our whole history. Dressing-up has been a magical experience in my life for a very long time. During the process of my collection, I tried to push the boundaries of lace fabrics. I made collages with old and new laces, and vacuumed lace in plastic fabrics. It was therefore an obvious step to use it in my sunglasses, too. To summarize, my glasses are a translation of lace blindfolds.

 In what ways do the glasses complement or enhance your collection?

 I think the sunglasses give an extra dimension to the face and to my lace research. It's a finishing touch. I really enjoyed making different silhouette combinations by playing with accessories.


 What excited you about collaborating with KOMONO?

 Collaborating with KOMONO was the first opportunity for me as a young designer to translate something from my collection into a product for the public. That within itself is already quite exciting. In addition to this, working with KOMONO and other creatives was a great experience. The fact that they were also excited to translate my designs into reality and made sure that the sunglasses came to life just as I had imagined them made this experience special.

 Can you tell us more about your design and how the whole process went?

 The design for my glasses relates back to my topic dealing with the idea that self-expression is not related to accumulated wealth. The idea stemmed from an extravagant socialite named Luisa Casati who had squandered her wealth, forcing her to go through trash to find things to decorate herself with. This idea of luxury mixed with trash led to the design of the glasses. To execute this, we combined plastic bag textures with the elegant facings of ring, which led to the form and structure of the design.

 In what way do the glasses complement and enhance your collection?

 The sunglasses add a final touch to the collection. In my opinion, an accessory should not distract from a look, but accentuate it, and I think we were quite successful in this case. They also bridge the gap between conceptual design and something more wearable. The garments may not be for everyday use, but with the sunglasses you get to take a piece of the collection home with you.


 What excited you about collaborating with KOMONO?

 It was very motivating to be selected for the KOMONO collaboration so early on within the collection process. Furthermore, I learned how to work with a professional company and gained insight into their working process, from the design itself to the launch of the final product. Last but not least, it gave my collection a more professional outlook and I’m really excited that the glasses will be my first piece sold in-store.

 Can you tell us more about your design and how the whole process went?

 I chose a cat-eye frame and draped lycra fabric around it. The sharp frame had to be in strong contrast with the flowing fabric on top of it. The drape of the fabric does resemble flowing water. By translating the fabric drape into solid acetate the frame looks liquefied. To make a clear reference to the theme of water, I chose a transparent turquoise colorway, besides the two solid frames. The process went without any complications. The KOMONO designers helped me to translate my design ideas into a wearable and industrially produced piece.

 In what ways do the glasses complement or enhance your collection?

 The glasses, my shoes and bracelets all work with this idea of a liquid drape shape. These rather sculptural and experimental accessories stand out and complement my fitted silhouettes.


 KAYA 

What excited you about collaborating with KOMONO?

First of all, I was really pleased with KOMONO’s craftsmanship. They realized the whole product as I imagined. Even some vague ideas were materialized through the team’s help. Also, the fact that the members of the KOMONO team were open to listen to us really helped me to share ideas during all the steps. This is the first opportunity that I’ve had to show my design to actual customers. I’m very excited!

 Can you tell us more about your design and how the whole process went?

During last summer, I watched one movie named ‘The Color of Pomegranates’. This movie is about one poet’s life. As it has no dialogue, every scene and object have symbolism. I focused on some symbols about love. Love is a universal language and some verbal expressions of love exist in all cultures. So love-targets, arrows, radial shapes from the heart became main sources of inspiration for my collection. While researching, I came across one of Viviane Sassen’s series called ‘Umbra’, which means shadow in latin. I wanted to translate those color blocked shadows with archer’s and shooter’s goggles.

 In what ways do the glasses complement or enhance your collection?

They give modern edge to the collection. At first, I thought some of my dresses wouldn’t fit with the glasses, but a sudden twist produced interesting outcomes. Especially during the photoshoot and show filming, the model’s movements and stage lighting enhanced my collection and sunglasses. I also liked the combination between the silver leather trench coat and the blue translucent glasses. This resulted in the photoshoot idea where I made use of shadows.


 What excited you about collaborating with KOMONO?

I have known KOMONO for a long time within the Antwerp fashion scene, so I have been working on my designs with great enthusiasm. As a Master student, it is a privilege to collaborate with a brand that has been active for over 10 years. And on top of that, how nice is it that KOMONO and I both have our roots in Belgium?

Can you tell us more about your design and how the whole process went?

My collection is inspired by a love myth from the Middle East, which gave me the idea of combining two pairs of glasses into one. In addition, I have added influences from the 60s and 70s when love was an important theme. A part of the design for the glasses originated from a 60s pattern made by Barbara Brown.

In what ways do the glasses complement or enhance your collection?

My collection is a fusion of different elements. Hence both authentic cultural and contemporary influences can be recognized in my collection. The sunglasses reinforce that effect, as they fit perfectly into my design vision.

At KOMONO.com, the KOMONO Antwerp store and selected retailers.


Interview by Philippe Pourhashemi

SAINT LAURENT / PURIENNE

Saint Laurent Rive Droite / Purienne SLRD Editions

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Anthony Vaccarello and photographer Henrik Purienne collaborate exclusively for Saint Laurent Rive Droite.

As part of the Saint Laurent Rive Droite editions, books produced and published for Rive Droite only, Anthony Vaccarello invited Purienne to express his vision through a series of black & white images featuring models wearing Saint Laurent by Anthony Vaccarello collections.

The photos, captured in Paris, are faithful to Purienne’s erotic, playful and sensual aesthetic.

This is the fourth book of the Rive Droite editions, following the exclusive books on Daido Moriyama, Betty Catroux and Gray Sorrenti.

Saint Laurent Rive Droite editions also published their first fanzine with Derek Ridgers in February 2021.

The book is exclusively available at Saint Laurent Rive Droite Paris and Los Angeles stores and on YSL.COM/RIVEDROITE.

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Inside CHANEL FW21 fittings

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Photography by Leila Smara

www.chanel.com

KENZO SS 2021

KENZO SS 2021 campaign

by

Felipe Oliveira Baptista

For his second campaign for KENZO, Felipe Oliveira Baptista carried on the concept of distance photography – first developed for his Fall-Winter 2020 campaign with photographer Glen Luchford and stylist Jane How. 

      These are vintage photographs from Glen Luchford’s archives – recreated with the models shot under a similar light than the vintage ones, this time wearing the KENZO Spring-Summer 2021 Collection: Bee a Tiger.

      The images take viewers on a photographic trip around the world – from Los Angeles, to Havana, to New York City and Marrakesh – evoking the spirit of ‘Going Places’, during a time when physical travel seems to be a distant reality.

      The choice of pictures and styling was selected in order to express Felipe Oliveira Baptista’s vision for KENZO: A youthful nomadic spirit, freedom, diversity, optimism, and a certain idea of KENZO timeless style.


#YSL37 BY ANTHONY VACCARELLO

SAINT LAURENT
WOMEN’S SPRING 21
MEN’S SPRING SUMMER 21
#YSL37 BY ANTHONY VACCARELLO

#YSL #SaintLaurent #YvesSaintLaurent @anthonyvaccarello @davidsimsofficial

www.ysl.com