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ARCADIE

 In imagery exploring a modern hinterland between reality and surreality, Miu Miu celebrates the emblematic matelassé in two styles - the already-iconic Wander, and the newly-debuted Arcadie - embraced by Gigi Hadid and photographed by Steven Meisel. 

Mythologized since Ancient Greece, Arcadie is a destination - an idealised scene, a vista of pleasure, idyllic and Elysian, embedded in nature. 

Drawing inspiration from the life and spirit of the American artist Margaret Keane, Meisel evokes her instantly-recognizable aesthetic universe to reshape that of the Miu Miu heroine, an homage that fashions uncanny environs for these portraits capturing both Gigi and these Miu Miu accessories. 

Likewise, Keane’s own indomitable character, her freedom, her story, is innately kindred to the unmistakable attitude of Miu Miu, encapsulated here in Gigi’s gestures, moods and emotions. 

The everyday can be exceptional, the ordinary can become extraordinary. 

The rich nature of these idealised spaces - brushstrokes textured and real - is matched by the intricacy of Miu Miu's characteristic matelassé. Fusing a modern lightness with traditions of leather craft, this hallmark Miu Miu material adds texture and depth to the duo of handbag styles. 

In this series of stylized yet intimate and direct portraits alongside striking still-lives, Gigi gazes wide-eyed at us, playing both herself and her persona. Through a simple look, she invites us into this world, part imagined, part actualized, yet wholly Miu Miu. 


HERMÈS FW23 BACKSTAGE

ANN DEMEULEMEESTER FW23 BACKSTAGE


Photography by Hanna Pallot

VALENTINO FW23 BACKSTAGE

ESTER MANAS FW23 BACKSTAGE


Photography by Hanna Pallot

VICTORIA BECKHAM FW23 BACKSTAGE


Photography by Hanna Pallot

OFF-WHITE FW23 BACKSTAGE

LOEWE FW23 BACKSTAGE


Photography by Molly SJ Lowe

MARIE ADAM-LEENAERDT FW23 BACKSTAGE


Photography by Hanna Pallot

SL RIVE DROITE X LIN ZHIPENG (AKA NO.223)

Anthony Vaccarello invites Beijing photographer Lin Zhipeng aka No.223 for a unique exhibition in the Saint Laurent Rive Droite stores in Paris and Los Angeles.

Named "No.223" after the police character in Wong Kar-Wai's Chungking Express, Lin Zhipeng also embraces the Hong Kong director's poetic and dreamy atmosphere as well as the solitude and mystery of many of his characters.

No.223 offers his perspective on an alternative spirit and youth culture in an often conservative Chinese cultural context. His spontaneous photographs depict a young generation indulging in love and life, oscillating between jubilation and deep melancholy, playful sexuality and often the simple human need to be loved in an otherwise indifferent and ever-changing society.

Lin Zhipeng, aka No.223, delves into his intimate memories of loved ones across China, Tibet, Southeast Asia, Japan and Europe.

In the exhibition we find the works Skin in the Orange, 2018; A Fish Wish, 2019; Red Symbol, 2019; Water Ghosts, 2016. A selection of the artworks will be available for sale.

To mark the occasion a new fanzine will be available in stores.


MIU MIU SS 2023 CAMPAIGN

Miu Miu Spring/Summer 2023 Campaign.

Featuring Ever Anderson, Achol Ayor, Emma Corrin, Kendall Jenner, Esther McGregor, Quintessa Swindell, Karolin Wolter and Lim Yoona.

EGONLAB FW23 BACKSTAGE


Photography by Robin Joris Dullers

ICONIC MATELASSÉ

Miu Miu celebrates its iconic matelassé leather collection for the new season with an intimate portraiture captured by Guen Fiore and a series of still life images by Deo Suveera showcasing the bags as protagonists. Merging a sense of protection with power the focus is on individuality and imagination as enriched by the respect for innovation and the finest craftsmanship that this product represents.

 The timeless beauty of matelassé leather is reinvented both in terms of size and design. A matelassé treatment appears across all bags in a quietly neutral colour palette that is a perfect mirror to the understated and unconventional vision of luxury that the Miu Miu name evokes.

 Shown for the first time on the Miu Miu runway in Paris for the Fall/Winter 2006 season, elaborately worked matelassé leather is by now so central to the brand’s handwriting that it barely needs a logo to be recognised.  Combining sophisticated artistry and artisanal technique with experimentation, the highly distinctive, rich texture of the leather is the ultimate marriage between beauty and practicality.

 Matelassé leather’s unique and eased finish is, in fact, achieved by a paradoxically rigorous process that entails pairing panels of elegant nappa leather with wadding and elastic cloth to achieve stretch. Such malleability effortlessly adapts to any contents, just as it does to the form of the person carrying it. Nestling close to the body, a plump surface is as comfortable as it is aesthetically appealing.

#YSL48

SAINT LAURENT
MEN SPRING 23
#YSL48 BY ANTHONY VACCARELLO

Featuring

Abel Ferrara

Jim Jarmusch

Pedro Almodóvar

David Cronenberg

S.E.X

SAINT LAURENT RIVE DROITE SEX BY MADONNA EXHIBITION
ART BASEL MIAMI BEACH 2022

Saint Laurent confirms its presence at Art Basel Miami Beach with an exhibition planned and curated by Madonna and Anthony Vaccarello, to celebrate the re-edition by Rive Droite of Madonna’s groundbreaking book Sex published by Callaway.

Saint Laurent Rive Droite will present large-format images from the book during the contemporary art fair. The once-shocking now timeless photographs will be on view in a temporary beachfront box built especially for the occasion.

Upon its release in 1992, Madonna’s provocative book became a controversial sensation around the globe, due to its bold erotic content and liberated views of sexual self-expression. Envisioned by one of the most decorated musicians of all time, Sex contained indelible imagery by Steven Meisel as well as written text by Madonna. 30 years later, Sex remains a seminal artifact of culture and style, having paved the way for countless artists.

To mark the book’s lasting impact and special anniversary, Madonna and Anthony Vaccarello decided to accompany its re-edition by making Sex come alive on the walls of an ephemeral gallery. Large-format prints from the book will be shown in Miami for the first time. Saint Laurent’s re-issue is published by Callaway, New York in a bespoke run of 800 copies created exclusively for Saint Laurent by Anthony Vaccarello, of which a limited number will be signed by Madonna with proceeds benefiting the artist’s Raising Malawi charity via an auction in the upcoming months. T-shirts and tote bags will also be for sale at the exhibition.

The Saint Laurent beachfront gallery will be free to visit for anyone over age 18 from November 29 to December 4 (10 AM - 7 PM).

FINDING POWER IN VULNERABILITY

ENIS, the very talented Kurdish-Danish singer and songwriter, says that working on his debut EP has been a truly cathartic experience. “During my upbringing, my voice was often silenced, but through songwriting, I was able to find home in my own words, which helped me to embrace and stand up for myself,” explains the artist. In his emotional first single ‘Fadeaway’ (which premieres today!), ENIS talks about his recently experienced heartbreak and the feelings of abandonment that triggered his childhood trauma of not being accepted by his traditional family because of his sexuality. “I was tired of having to love and unlove people around me,” he says. “The song became a reminder to myself that I don’t want to be someone’s favourite, I want them to love me the same way I love; wholeheartedly.” For Behind The Blinds, ENIS tell us about befriending himself in the process of curing his broken heart and the emotions that he hopes his music will instil in the listeners.

Your debut single ‘Fadeaway’ is a confessional song about heartbreak and the issues that came along when you were faced with neglect from your family who disapproved of your sexuality. Could you talk about the experiences that have inspired this song? 

Well, I was sitting in the backseat of a bike, riding along the canals of Amsterdam, when I wrote this song. It was a moment of silence, after an argument I had with my ex, who was still trying to figure out his sexuality — nothing wrong with that — but the unknown, the doubts and uncertainty, triggered the abandonment feelings in me. Which is something I’ve often faced. I was tired of having to love and unlove people around me. At that moment, while the rain was pouring down, all the lyrics came naturally to me within 15 minutes. It almost became a reminder to myself that I don’t want to be someone’s favourite, I want them to love me the same way I love; wholeheartedly. 

 In what ways has music been a cathartic medium for you? 

During my upbringing, my voice was often silenced, but through songwriting, I was able to find home in my own words, which helped me to embrace and stand up for myself. I have always thought of myself as a sad bird, but sad birds still sing and fly. 

How does your debut single foreshadow your upcoming music? What are the other themes that you want to explore with your future songs? 

They are all different dynamics and layers to the version of who I was and wanted to become when I was writing this EP. Each of them shed light on some of the biggest obstacles in my life so far; learning how to live with a broken heart and to befriend myself in the process of it all. As my very own name means ‘friend’, I have to become a friend to myself before I can be a friend to others.

 

What are the emotions that you are hoping to instil in people who are listening to your music? 

To not fear vulnerability. I believe that when we are most vulnerable, we are our truest selves. From my experiences, vulnerability is very stigmatised, and expressing sadness or difficulties has been seen as a sign of weakness. I have come to learn that embracing hardship and trauma, and being vocal about it, is in fact a strength. 

What are some of the artists or musicians that have inspired you throughout the process of working on your music? 

Marina Abramović, the incredible art performer – her endurance art and rawness really resonates with me, especially when it comes to creating visuals. I found myself pushing boundaries to places that I wasn’t aware that my mind and body were capable of, during filming my visuals for my debut EP. I was pushing myself to capture the real emotions that inspired me to write the songs in the first place, despite how uncomfortable it could be. Slavic art — especially when it comes to poetry and imagery — has been painting my mood boards a lot during this process. When it comes to the sonic part, artists like James Blake, Sufjan Stevens and Frank Ocean are some of the few artists that have inspired me with their creativity. “Make art, not content” is what I feel like when I listen to them — to take your time to explore, adjust and create. Also, fashion shows inspire me a lot. As I love observing how clothing and scenography interfere with each other, to create atmosphere and expression. 

When did you first realize that being a musician is something that you wanted to do? 

For as long as I can remember, it’s always been that way for me. I think my parents would agree with that. Growing up going to concerts was the highlight of my life; the rush, joy and energy I felt whenever I went to a concert, made me want to pursue it even more. The only difference is, as a child, I thought I would become a performer, but I have grown into appreciating the more artistic part of creating; seeing how poems can turn into lyrics, then into song, which turns into visuals — to see the seed you grow blooms into a flower, makes me wanna grow an entire garden. 

At the age of 16, you left your Kurdish-Danish upbringing in Copenhagen and went to California for a year. What have you learned in that time?

I always reminisce back to this time in my life, as it was my first glimpse of what it meant to freely express my identity. The beginning of that year was very rough -– at one of the places I was staying, I was being treated unethically, so 16-year-old me ran away and slept at the beach for a while. Which was very scary for me as I was afraid of the dark, but it ended beautifully. I always use this as a metaphor when I need to motivate myself, as that year I was able to achieve so many things I wasn’t aware that I could, by being so brave, open-minded, and curious.


You can now watch the visual premiere for ENIS’s debut single ‘Fadeaway’ here.


Interview by Martin Onufrowicz

ENFANTS RICHES DEPRIMES SS23 BACKSTAGE

COURREGES SS23 BACKSTAGE

ISABEL MARANT SS23 BACKSTAGE


Photography by Hanna Pallot