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Hanna Pallot
PULLED BY THE MOON

In conversation with CORY MICHAEL SMITH

PULLED BY THE MOON
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Martin Onufrowicz
SOUL VIBRATIONS
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Hanna Pallot
HOPEFUL ESCAPISM
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Martin Onufrowicz
MAN IN THE MIRROR
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Martin Onufrowicz
A LESSON IN EMPATHY

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THE GOOD, THE BAD, THE VILLAIN

PLAYING THE BAD GUY DOESN’T COME NATURALLY TO SAMUEL BOTTOMLEY. BUT YOU’D NEVER BE ABLE TO TELL BY WATCHING HOW TO HAVE SEX. HIS LATEST MOVIE MAKES HIM THE CATALYST FOR A DARK TWIST IN A SEEMINGLY LIGHTHEARTED FILM. THE BAFTA NOMINEE CONFESSES IT WASN’T AN EASY TASK TO BE THE VILLAIN, HAVING TO DIVE INTO THE MIND OF A PERSON WHOSE ACTIONS HE DESPISED. THE SCARIEST PART, HOWEVER, WAS THAT HE WAS PLAYING SOMEONE WE’VE ALL MET, THE TYPE OF MAN THAT CAN BE AT EVERY PARTY, IN EVERY BAR. BOTTOMLEY’S FIRST TIME PLAYING A DARK CHARACTER MIGHT BE ONE OF THE LAST “FIRSTS” HE HAS LEFT. THROUGHOUT HIS FOURTEEN-YEAR-OLD CAREER, THE YOUNG ACTOR HAS ACHIEVED MORE THAN MOST CAN DREAM OF. BUT HIS HORIZONS ARE STILL DISTANT. DESPITE HIS EARLY START, THIS IS JUST THE BEGINNING.

Left Full look Versace

Right Coat Loewe

You’ve mentioned that How to Have Sex feels like a movie that speaks to your generation. Why do you think that is?
I think a lot of it was in the language they used. Reading the script was just like hearing someone who went to school with you. It just felt so free-flowing. There were also so many moments that were improvised that made it all so much more authentic.

Do you enjoy having that freedom to improvise or do you prefer a more rigid script?
I think it depends. If I’m playing something closer to me - I mean, if I’m playing a Northern young man who comes from the working class, things will come a lot easier to me. In that instance, it’s good because my experience can offer something to the role I’m playing, especially with my dialect and slang. But if I’m playing a 1914 servant, there’s a limited number of contributions I can make. But creatively, I’m always looking for ways to pitch in my own thing.

Left Full look Miu Miu

Right Coat Loewe, pants Miu Miu, shoes J.M.Weston, watch Omega

How to Have Sex brings up a lot of heavy issues. What kind of conversations do you hope it catalyzes?
I think it’s a reflective film that will make young men look into themselves and ask themselves very scary questions. I think a lot of those happened on set.

What was the set like? Because it is a party movie in its essence, but it has a deeper meaning…
I think everyone felt a strong sense of responsibility to bring “it” every single day. We all had a sense that this was a movie that could be almost educational. I think this could be played in schools. This is something I would like to show my kids when I have them. We all felt a responsibility to keep it authentic. When you’re working on a movie, a lot of things can disappear from the script, and we really didn’t want that. This was our baby.

Your character is the catalyst for the dramatic turn in the movie. Do you find it hard to empathize when you’re playing the “bad guy”?
Definitely. Even though I think his actions come from a place of the lack of education, he is very selfish. I have never felt sorry for him in any way. To be honest, I hated him. He was one of the toughest characters I’ve ever played. At moments I thought, “Why couldn’t I have Shaun’s [Thomas] character?” But then I got myself back to Earth. There was a reason why I was playing him. So, once I got over the initial stage, I was very proud I pulled it off.

I think that’s what was interesting, he is a very specific character…
That’s the thing, he doesn’t think he’s a bad guy, which is something everyone experiences. Everyone thinks they’re the hero in their own right. That stuck with me throughout my entire creative process. The thing is… We all know someone like him. That’s the scariest part, there’s a guy like that at every party.

Left Full look Versace

Right Coat Loewe

Even though the movie has such a dark undertone, you filmed in an amazing place,  Crete. Did you manage to enjoy it while you were there?
100%. Shaun and I had already worked together, so we were running around having fun. My dad had just passed his sailing license, so I had him come out with my mom. We rented a boat. We dropped anchor on the beach of Malia and… the anchor is still there. We dropped it on some rocks. So, there’s a piece of us forever in that sea forever. We made it out in one piece, but I had to swim 18 meters to the bottom of the ocean to try and pull it off. We had a blast.

The conversation around child actors has resurfaced recently. Since you started in the business so young, what was your experience like?
I think when people hear “child actor”, they instantly think of Home Alone. But, to me, I remember understanding that I was living in a special situation. That’s all it’s ever been for me, knowing how lucky I am. My mom and dad reminded me of my privilege. It does bring its challenges. I think growing up, while you’re still discovering things about yourself, it might not be the best thing. But for me, I have always just wanted to act. I would have been very upset if I had never had that opportunity. 

Since you started so young, did you ever think about doing something else?
When I did my first movie, Tyrannosaur, I remember my mom asking me, “Do you want to be an actor now?” And I told her, “No, I want to be a cameraman.” That lasted all but that day. Ever since then, all I’ve wanted was to act. I think at some point, later in my career, I’d love to create my own stories. I want to create my own environment on a set. To write and direct.

Left Full look Miu Miu

Right Full look Prada

Do you have an idea of what that story might be?
I always try to sit down and figure it out. So far nothing special has come out. But the number of lives I’ve had throughout my career, I have to at least have one good idea. I know that it’s going to come at some point, I just don’t know when.

You’ve worked with some amazing actors at a very young age. As you reach your adulthood, how do you think they’ve contributed to the person you are now?
I think the generation of actors that was just above mine has had a real influence on me. Jack O’Connell, George MacKay, and Alex Roach all had a massive impact on me. They were young too but still much older than me at the time. I remember Jack telling me to walk into every audition and, in his words, “fucking smash it”. No matter if I liked the script or not, go into an audition and make an impression on every person you meet. That’s something I carry with me. Even now, in this interview, I want to make a great impression.

Since you’ve already achieved so much in your career, what goals do you have?
Lots of things. There are still loads of people I would love to work with. I’m nowhere near the middle of my career. I still have so many good films and series to come along. For now, I just love to work. I still want to make films with my favourite directors. People like Guy Ritchie, Shane Meadows, or Quentin Tarantino. I know there’s such a massive dream to fill out. But I’ve achieved others, I’ve worked with Tim Roth. It can happen, I’m in the right place to have it happen. In this industry, I never feel too silly dreaming about anything.

Interview by Pedro Vasconcelos

Photography by David Sessions

Fashion by Steven Huang

Grooming by Sven Bayerbach at Carol Hayes Management using Daimon Barber

Casting by Imagemachine CS

Stylist assistant Elisa Carcano

THE ROAD AHAED

FRANKIE CORIO SAYS THAT HER DAY-TO-DAY LIFE HAS NOT CHANGED THAT MUCH SINCE STARRING IN CHARLOTTE WELLS’ POIGNANT INDIE EXPLORING A FATHER-DAUGHTER RELATIONSHIP, AFTERSUN – WELL, MAYBE EXCEPT FOR THE FACT THAT SHE NOW HAS A FAN PAGE ON INSTAGRAM. THE FILM HAS BEEN CORIO’S DEBUT ON THE SCREEN AND THE 13-YEAR-OLD SCOTTISH ACTRESS EXCELLED IN HER TOUCHING PORTRAYAL OF SOPHIE, SHOWING HER INCREDIBLE EMOTIONAL RANGE THAT IS SURE TO BE SEEN IN MANY FEATURES TO COME. THANKS TO THE PROJECT, CORIO ALSO GAINED A NEW FRIEND – HER CO-STAR AND OSCAR NOMINEE, PAUL MESCAL (THE TWO ARE STILL IN TOUCH AND OFTEN SEND EACH OTHER FUNNY MEMES AND PHOTOS). WHAT’S MESCAL’S MOST DAD-LIKE QUALITY? “LET’S BE HONEST, IT’S DEFINITELY THE WAY HE DANCES!”

Left Jacket and shoes Miu Miu, skirt Andersson Bell, tights Falke

Right Knitwear Paul Smith, hat stylist’s own

Aftersun was your very first role - what surprised you the most about the way films are made?
The thing that surprised me the most was that the scenes are not shot in the order of the story. Also, just how many people it takes to create a film!

What did you find most helpful about understanding the experiences that your character was going through? Were you aware of how the story would end?
Charlotte, the director, didn’t want me to know what was really going on so that I would remain a bit more innocent. I think it was easier for me to be able to do it without knowing what was happening. But I understood it all once I saw the film.

Left Knitwear Paul Smith, shoes and bag Zadig&Voltaire, hat stylist’s own

Right Hat Pronounce, cardigan Pariser, shirt Christian Dior

In the movie, you have a very believable father-daughter relationship with your co-star, Paul Mescal. How did you guys build that bond off-screen?
Paul and I came to Turkey two weeks prior to the shoot to get to know each other but I don’t think we needed that much time – we got close very quickly after just a couple of days.

Did you do any fun activities during those two weeks?
We would do things that people usually do on holiday. For example, I never knew how to play pool, so he taught me how to and we would play it, sometimes with my actual dad as well. Also, we did a lot of swimming. And a lot of eating ice cream and waffles. [Laughs]

Left Jacket, skirt and shoes Prada, top 18.01 archive, tights Falke

Right Jacket Miu Miu

Who was better at pool? Paul or your dad?
Oh, that one’s hard!

Or maybe you were the best out of the three?
I wish, I definitely was not! I would say Paul, but I think my dad might be sad that I said that. [Laughs]

Are you and Paul still in touch?
Yeah, we still text. I actually text him quite a lot and send him quite random things. He probably gets sick of me messaging him a lot but he deals with it, so it’s all fine.

Left Jumper Isabel Marant, necklaces Slim Barrett, jeans 18.01 archive

Right Full look Miu Miu

[Laughs] What was the last thing you sent him?
I think it was a photo that someone took of him, a paparazzi photo.

What was the scene in the film that brought you the most joy while shooting it?
I really enjoyed jumping into the pool with my clothes on. I don’t think I’ll ever get to do that again. [Laughs] Also, the dancing scene.

Having this brilliant experience, is acting something you want to pursue more now?
Yes, I definitely want to keep doing it more in the future – it’s the best job you can have!

Jumper Isabel Marant, necklaces Slim Barrett, hat stylist’s own

What do you find most exciting about being an actor?
Probably going to the award shows. It’s really cool because it makes you feel like a celebrity.

Which of the events that you went to felt most glamorous?
The BAFTA awards.

What do you remember the most about that night?
The fact that I lost my ring that was borrowed and I was freaking out that I would get in trouble. I lost it on the floor and then at the end, everyone in the rows next to me was helping me look for it and we found it under someone’s seat. Also, obviously, the fact that Charlotte won awards – that was really cool!

Finally, what’s a film that you love to watch over and over again?
The Parent Trap. It just brings me so much joy!

Left Hat Pronounce, Cardigan Pariser, shirt and skirt Christian Dior, tights Falke, shoes Zadig&Voltaire

Right Knitwear Paul Smith, hat stylist’s own

Interview by Martin Onufrowicz

Photography by Emilia Staugaard

Fashion by Nathan Henry

Casting by ImageMachine cs

Hair & Make-up by Mairi Gordon using Milk Makeup & Eleven Australia

Stylist’s assistant Rachel Allison

SUPERNATURAL HIGH

MAKING HIS TV DEBUT ON OUR SCREENS AS HARLAN BRIGGS, IN THE SUPERNATURAL DRAMA, WOLF PACK, TYLER LAWRENCE GRAY HAS ALREADY EARNED HIMSELF A PACK OF FANS HUNGRY LIKE THE WOLF (PUN INTENDED), FOR MORE OF THIS TEEN BEAST FAVOURITE!

WE CAUGHT UP WITH HIM TO FIND OUT MORE ABOUT HIS CHARACTER IN THE SERIES, WHICH COMBINES TEEN ANGST, POLICE INVESTIGATIONS AND WEREWOLVES IN ONE PRETTY PACKAGE. AWOOOOOL!

You’re a newcomer to the industry but have been crazy popular on TikTok creating entertaining and relatable content for your audience. So how was it making your TV series debut in Wolf Pack, and did the social media interaction help your confidence with the way you engaged on screen and on set with the cast?
I definitely think that it helped prepare me for what the outcome of the show would feel like, having that attention from people whether it’s positive or negative, and having to be okay with either. It also led me on a path to more creativity and critical thinking when it comes to entertainment. However, I had been studying and training acting before I started social media, so I really consider it more of a way to showcase your personality and talents.

Left top Saint Laurent by Anthony Vaccarello

Well, you’re showcasing your acting ability to play diverse and interesting characters, like Harlan Briggs in Wolf Pack, as he’s a gay student who moonlights as a werewolf! What was your approach in portraying a LGBTQ character?
One of the things that I love the most about acting is that it challenges you to get out of your comfort zone, to portray someone or something that is unique. Harlan Briggs’ sexual orientation is different than mine, along with his appearance after a full moon! So, although I don’t share some of these qualities with the character whose portrayal is a gay werewolf, I was excited to embody this kind of role. Whenever I’m bringing a character to life, I don’t let any mental barriers get in the way. I’ve been inspired by so many actors and quickly realised that my all-time favourites can separate their own personas and egos from a character they’re playing. The true art of acting is to live in your characters shoes and tell their story. It was an honour to play Harlan alongside the cast on this show, and to be able to represent the LGBTQ community with such a fun, charismatic character.

What’s the fans’ reaction been to Harlan, and do you love all this new attention coming your way?
I really couldn’t have had a more positive reaction to Harlan’s character! When you do projects that are going to be seen by a large audience, you have to be prepared for all kinds of thoughts and reactions from viewers. The positive almost completely outweighed the negative feedback for me, and I really couldn’t be more thankful to all the supporters of the show. The feeling of not only embodying a character, but having people tell you how much they enjoyed watching him, is truly an incredible feeling.

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There’s a bit (a lot) of skin and a more adult tone to this series. When you booked the role, were you nervous about your butt also making its debut on screen?!
It did make me nervous at first, especially for my family and friends to see it! But at the same time, it was kind of funny to me. The more I realised it’s no big deal, the more I was okay with it. Also, I’ve always been into body building and aesthetics and whenever I see those people on stage, they’re not scared to expose most of their bodies, as they’re passionate about what they do. I’m passionate about acting and how actors will often stretch to the extremes for the love of their craft and work.

What were the biggest challenges for you then with this being your first major project, and what were the best bits about being on set?
The biggest challenge was getting over my nerves and how high the stakes were regarding the production and the level of talent all around me. Chloe, who plays Luna in the show, gave me great advice, and helped me realise that I was there for a reason, and to just let go and have fun. The best part about being on set was meeting and getting along with the entire cast and crew, they become your family for the entire time the project shoots, and it’s a very wholesome thing. It was great to watch all our characters in the show grow and change as each episode progressed.

The series is from writer / producer Jeff Davis who created the Teen Wolf drama. Did you ever see that show, and what kind of research or preparation did you have to do for this role? Like, did you have to learn all about the behaviour of wolves, or practising how to make the ‘awooo’ sound?!
Yes, I’ve seen a lot of Teen Wolf and I obviously watched even more of it when I booked this role. I did research how wolves interacted with each other in a pack because I wanted to have that knowledge, and Jeff is a brilliant writer who integrated those behaviours into all our characters, even when we were in human form speaking to one another. When it came to the growls and noises, we practised different variations of sounds, and Jeff chose the ones he thought were the most unique!

The series also marks the return of TV sci-fi royalty, Sarah Michelle Gellar too! As part of the new generation of teenage sci-fi stars, did you understand the gravitas of sharing a storyline with the Buffy the Vampire Slayer?
For sure! I remember the first thing that myself, Chloe, Bella, and Armani did was watch Cruel Intentions. It was a little intimidating, but it also gave us the reassurance that this show was going to be even cooler than we anticipated it might be. Sarah is an icon and just being able to talk to her, and then get to work with her too, was unreal!

Pants Dsquared2

What did you learn from being on set with her and working with other seasoned professionals, are you an observer, taking it all in to apply to your next acting projects?
Working with actors like Sarah, Rodrigo and Lanny was so special. They have decades of life and acting experience which made me nervous, yet eager to pick their brains and learn from them. They all have extremely different approaches. Sarah was always cracking jokes and gave me great advice on what my goals should be, and how not to get distracted in an industry like this. Rodrigo had such a deep passion for acting which I found so beautiful to watch. Having the opportunity to be part of the show with them, and build relationships with them, and even some of their family members, has truly been a blessing.

Left Top Isabel Marant

Right Sweater R13, shorts Ron Dorff

So, what’s in store for Harlan… will there be another season and what do you hope for him?
I hope there will be another season considering where we left off with him and everyone else in season one. Harlan needs to get out of jail and save his romance with Cyrus, but he also needs to find the rest of his pack and family to make sure they are all safe. He’ll have a lot of emotional ups and downs once he finds out who his real family are. I’m sure whoever watches the show is already imagining the possibilities, which are endless!

The show tells a story about finding your pack. Who are the people in your own life who have shaped the person you are today?
My family, who I thank for everything. My brother, sister, mom, and dad all deserve the best that this world has to offer. They are the most trustworthy and genuine people in my life, and I will always stay very close with them. Some of the cast members from Wolf Pack have also become my best friends because we shared such a special experience together. I look for people that help me to work my hardest and stay focused on my goals in life.

Each of the wolves in the Wolf Pack has a different ability, with Harlan and your twin Luna having enhanced senses of hearing and smell. If you could have an enhanced sense in real life, what would it be, and what would you use it to do?
As much as flying or a super strength would be fun, I would choose the ability to time travel. Being able to experience moments so deep in the past or so far in the future would be beyond profound! To relive some of the smallest but greatest moments of my life would bring tears to my eyes. An ability like that is almost too overwhelming to even fathom, so maybe I would just stick with super strength or speed, something fun haha!

Was acting always on the cards for you? You mentioned your passion for bodybuilding, and we can see that on your social media. So, perhaps your next role could be a big action hero or lead in a physically demanding movie, maybe a Marvel sci-fi adventure is next…?
I didn’t even consider studying acting until I was about 16. Which coincidentally was around the same time I lost a lot of weight and started getting into the gym and taking it seriously. I’ve always had a creative mind and enjoyed many forms of art including sketching and sports… yes, I do think sports are an art form, haha! I gained confidence in the gym, which I guess has carried over into acting, and it would be a dream to combine both my passions and play a superhero, soldier, athlete, or villain – any role that could also showcase my physique. I also love dinosaurs and was a huge fan of all the Jurassic Park movies when I was younger, so a dinosaur-themed movie or about a sci-fi creature would be really cool as well!

Left Jacket K-Way

Finally, the last line of your IG bio reads, ‘Just trying to spread a message’. What’s that message then? And do you have a special one for your fans and our readers?
I want to spread my empathetic values and insight on how I feel about people and the world we live in. What I mean by this, is showing people that you can be whoever you want to be in this life, and that you should never take anything for granted. Anything you think about doing or achieving is possible if you don’t let mental barriers and people hold you back. To my fans and anyone reading this, please don’t compare yourself or your life to others! From someone who has suffered from severe dysmorphia with my appearance, there are no expectations for you or your appearance. Live your life the way you dream of and push yourself in the process!

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Discover the full story in our FW23 FANTASY Issue.

Interview by Kate Lawson

Photography by Hadar Pitchon

Fashion by Gorge Villalpando

Casting by ImageMachine cs

Grooming by Joanna Faivre

A GREAT INSTINCT

ALESSANDRO NIVOLA IS AN ARTIST WHO EXCELS IN CREATIVITY. WITH HIS PERFORMANCES IN GRIPPING DRAMAS LIKE THE MANY SAINTS OF NEWARK, AMERICAN HUSTLE OR DISOBEDIENCE, AS WELL AS HIS UPCOMING TAKE ON A VILLAIN IN THE SUPERHERO MOVIE KRAVEN THE HUNTER, THE AMERICAN ACTOR IS THE MASTER OF BUILDING NUANCED CHARACTERS. THE KEY TO HIS SUCCESS? FIXATING ON REAL-LIFE PEOPLE WHO IN HIS EYES CONNECT TO THE ROLE HE’S PLAYING AND LEARNING TO IMITATE THEM DOWN TO THE SMALLEST DETAIL. FOR US, NIVOLA TALKS ABOUT THE BASIS OF HIS INTRIGUING PROCESS, FEELING FEARLESS WHILE ACTING AND HIS ATTACHMENT TO THE ITALIAN ISLAND OF SARDINIA.

Full look Prada

Over the years, you became known for your superb ability to disappear into your characters - what is the research process that you like to delve into for each of your roles?
I fixate on a real person. Someone I know, someone I’ve met somewhere, or someone I’ve seen on YouTube. And I teach myself to imitate him. It doesn’t matter if the person has anything to do with the world of the film or bears any direct resemblance to the character as described in the script. It may just be that his behaviour, way of talking, facial expressions, rhythms, confidence or low self-esteem, feelings about his life, his relationships, or his worldview, are useful to me to bring something very specific to the character and help tell the story of the film. A couple of examples: to develop a character in an upcoming project, I used a family friend named Philip Nikolayev.  He is a Russian poet who teaches at Harvard - a far cry from an oligarch turned crypto-currency villain who transforms into a raging monster as a result of a biochemical treatment gone wrong. For a role in one of David O. Russell’s movies, I went on YouTube and typed in “Angry New Yorker”.  I found a video captioned “Small, Angry Man Yells at Trumpet Player in New York City” and he became my model.

Teaching myself to imitate these people is a long and involved process that is different with every role and can include listening to voice recordings all day while I walk around, dialect coaching, recording my own voice a million times and listening to it back, listening to the music the character likes, reading books, watching videos, learning new skills that to him are second nature (I learned to play polo, to play Scott Joplin songs on the piano, and to speak decent French for a movie I made about Coco Chanel and her lover Boy Capel), historical research, physical work to change my body, experiments with hairstyles and becoming familiar with objects that he might use habitually – a knife, a pen, a hat, Orthodox tefillin, a Bible – anything. That’s just a few. There’s no methodical way to do this. But the goal is to find what is specific to this one person in the minutest detail. And these things then start to change the way I think and feel. By the time we are shooting, I don’t have to think at all. What happens then I can’t explain.



I read that you have a principle of choosing films based on the directors that you want to work with - who are some that are on your list right now?
Jonathan Glazer, Sofia Coppola, Brady Corbet, Ruben Östlund, Joachim Trier, Edward Berger, Bennett Miller, Steve McQueen, Shannon Murphy, Martin Scorsese, Emily Mortimer, Bong Joon-ho and Ben Stiller. But I wish Miloš Forman was still alive.

Left Full look Miu Miu

Right Suit Zegna, shirt Nanushka, shoes Louis Vuitton

You’ve played a couple of villains throughout your career - what are the biggest joys of playing a bad guy?
Most well-written villains don’t fit comfortably into society, so they usually have something surprising and unusual about their psychology or behaviour and that fires my imagination with all kinds of possibilities. It’s also liberating not having to be attractive. They should usually be at least a little funny. People who struggle to fit in are often funny, even when there is a growing awareness of their frustration having potential danger. The best is when they’re funny and then scary with no transition in between. With bad guys, there are lots of opportunities to entertain in a flashy way, but it’s also important not to succumb to the temptation to be outsized just to call attention to yourself. Reality is always more interesting and, in the end, more compelling. So, I always try and understand why they are feeling so angry or vengeful or full of self-loathing and see the world through their eyes and feel their pain. I don’t judge them or comment on them as the actor. They are the heroes of their own stories.



Aside from your screen career, you have an extensive experience as a stage actor. Which of your theatre roles has been the biggest challenge and why?
The Elephant Man was the hardest because I had to have a dumb-looking moustache for a year. I got a Tony nomination for it, so I guess it was worth it.



You grew up in between two cultures - what’s your most Italian and most American quality?
Growing up between two cultures has left me with no clear identity at all. In Italy, I’m foreign, and in America, I’m kind of foreign too. But... I would say my most Italian quality would be wearing a heavy gold Saint Christopher medallion that was forged by the Vatican goldsmiths with the words “San Cristoforo Prega Per Noi” inscribed on the back, even though I’m not religious. Most American quality - good personal hygiene.

Sweater Ferragamo

Your family has roots in Sardinia - what does that place mean to you and what are some of your most important spots on the island?

I love my grandfather’s museum in the village of Orani, the Museo Nivola. It’s one of the most beautiful small museums in the world. Although I visited Italy with my family many times when I was young, the first time I was allowed to go to Sardinia was for the opening of the museum when I was about 14 because before then, there was a real threat of “banditi” kidnappings - local bands of small-time criminals who would hide people in mile-deep mountain caves for ransom. They assumed my grandfather was a rich American now that he lived in New York, and word spread fast whenever he would return to the island. The problem had died down by my mid-teens and so I started visiting my extended family there every summer. Everyone in the town is related to me. When I would see a beautiful girl in the street and point her out to a cousin, they’d say, “No, no, no - she’s your cousin too!”

There is also Cala Gonone, a small town on the east coast where you can rent little boats that take you down the undeveloped coast (it’s a protected national park) and drop you alone in little beach coves. Meanwhile, all over the island, there are Iron Age monuments and ruins called “Nuraghe” which are some of the oldest structures and remnants of civilisation anywhere in the world. Over the years, I’ve become more and more determined to force the Sardinians to embrace me as one of their own. This year, I was given an award at the Filming Italy Sardegna Festival so maybe I’m slowly breaking them down.



You are part of a family of actors - what’s a film that you watched recently with your wife and kids that blew you all away?
We watched Tropic Thunder again and it holds up. It’s Robert Downey Jr.’s best performance. Also, Orion: The Man Who Would Be King. It’s a documentary we stumbled across about a man named Jimmy Ellis - an orphaned child who was adopted at five years old and grew up on a horse farm in rural Alabama. He was both blessed and cursed with a killer singing voice that sounded indistinguishable from Elvis Presley. People went weak in the knees when he sang but he couldn’t find success because there was no room for more than one “King”. But in 1977 when Elvis died, a pulp fiction novelist wrote a book called “Orion” about a fictional character, loosely based on Elvis, who had faked his own death to escape the prison of his own fame. He had reconstructed his face and re-emerged with a new identity. Jimmy made a Faustian pact with the head of Sun Records, Shelby Singleton, who proposed to record an album and send him out on tour if he agreed to become Orion and wear a bejewelled Zoro-like mask at all times – in the supermarket, at restaurants, walking his dog – anywhere outside the confines of his own home. Orion became a sensation and he seemingly had achieved the rock star life he’d dreamed of, but the manipulation at the hands of Singleton and his complete loss of identity soon began to drive him insane with tragic consequences. It’s hilarious and devastating and we optioned the doc and are now adapting it into a narrative feature film.

Left Top Miu Miu, coat Kenzo

Right Full look Louis Vuitton


Your kids recently starred together in a movie - what advice did you give them prior to the experience?
None. They weren’t interested in what I had to say.

Greil Marcus said once about you, “Alessandro Nivola is magnetic. You want to know what he’s going to do next. You don’t ever know what he’s really thinking, and you’re not even sure he knows. Maybe he’s running on instinct, but he’s got great instincts. He’s afraid of absolutely nothing.” Is there anything that you’re afraid of?
Greil Marcus is the best journalist ever to write about music and the people who make music. He’s not a film insider but he knows about performance of all kinds, and I think that review is the only one that I’ve never forgotten. But as for being afraid? I’m afraid of everything. Both external and internal. I have terrible dreams about the end of the world. I’m afraid of the future, of failure, of what people think of me, of not being able to do creative work anymore, of having no purpose, of life having no meaning, of nothing feeling new, of disappointing my children, of my children being unhappy, of the dog being unhappy...should I go on? When I’m performing, I don’t think about these things. I don’t think about anything. It’s heaven.

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Discover the full story in our FW23 FANTASY Issue.

 The interview & fashion story were conducted before the SAG-AFTRA strike.


Interview by Martin Onufrowicz

Photography by Pierre Crosby

Fashion by Shan Temuri

Casting by Imagemachine Cs 

Grooming by Jessi Butterfield

Stylist’s assistant Angelina Ding 

STRIKING GOLD

FINDING SUCCESS IN THE ACTING INDUSTRY IS USUALLY A GAME OF PATIENCE. SANG HEON LEE’S CAREER IS THE EXCEPTION THAT PROVES THE RULE. HIS ROLE IN THE HIT SHOW XO, KITTY WAS NOT ONLY HIS DEBUT PERFORMANCE BUT HIS VERY FIRST AUDITION. OVERNIGHT, THE YOUNG ACTOR HAS BECOME A PHENOMENON, CAPTIVATING FANS FROM ALL OVER THE WORLD. HOWEVER, DESPITE HIS CURRENT LIFESTYLE, LEE ADMITS THAT HIS MINDSET HASN'T CHANGED: EACH DAY HAS ALWAYS BEEN A NEW ADVENTURE. HIS PERSPECTIVE WAS SHAPED OVER THE YEARS PRIOR TO HIS ACTING CAREER, THROUGH EXPERIENCES LIKE BARTENDING IN THE UK AND MODELLING IN SOUTH KOREA. LEE EMPHASIZES THE IMPORTANCE OF EMBRACING THE MISTAKES THAT ARE SYNONYMOUS WITH YOUTH. IN OUR CONVERSATION, HIS EXCITEMENT FOR LIFE IS NOT JUST PALPABLE. IT'S CONTAGIOUS. FROM HIS EVOLVING FASHION SENSE TO THE JOYS OF GROWING UP AROUND THE WORLD, WE CAUGHT UP WITH LEE TO DISCUSS HIS METEORIC RISE.

Right Full look Valentino

XO, Kitty is such a big hit and already got renewed for a second season. Did you expect this kind of success?
I don’t believe in having expectations. To be honest, I was just glad I made it through my first gig and that it was out. It was surprising to me just how much the fans loved it. And yeah, sure, some people might say that we already had a fan base from the To All the Boys I’ve Loved Before movies, but I’m a very sceptical person. You never know with these things. I was just hoping people would love it.  I wasn’t expecting much but I’m very proud of it.

You just mentioned this was your first serious acting gig, I’ve also read that this was the first show you auditioned for. What does it feel like to have struck gold on your first try?
I'm not going to lie, it feels weird. I feel incredibly lucky. I know a lot of people that have been working for years or have been trying to debut and be a part of the acting industry. And they haven't made it yet. I'm not saying I made it, but I was able to start in the most amazing way possible. So, I'm just really grateful. I try to tell myself it's not about whether I deserve it or not, it's more like, I have to make the best out of this and not take things for granted. And hopefully, I'll meet everyone else's expectations.

Left Jacket Acne Studios, boots Zadig&Voltaire

Right Suit Louis Vuitton, hoodie R13, boots Zadig&Voltaire, hat Yan Yan

Your character in specific has become such a fan favourite. Why do you think people resonate with Min Ho so much?
That's a good question. I think the audience loves him because he portrays the cocky and overconfident guy, but really, he’s a softie. A lot of people can relate to that. Most people try to act confident, which is good, you got to fake it till you make it. People were rooting for him to be happy because he acts like he was always happy, but he wasn't. He is very vulnerable and lonely. He just wants love and attention.

One of Min Ho’s most recognizable characteristics is his style. Do you think playing a character with such a strong fashion game has influenced the way you dress?
No, not really. I have a horrible sense of style.  I used to have no idea of how to dress up until my friends started saying things like, “Oh, can you please dress up like this?” or “Why do you dress so weird?” I don't know much about styling either. I’m still trying to learn as much as I can. I’m starting to sharpen my eye. But for Min Ho, our costume designer did a fantastic job. And it was amazing because she respected my opinion and made sure I felt comfortable.

Left Hoodie, skirt & sock Prada, shoes Miu Miu

You spent your childhood moving all over the world. Do you still enjoy bouncing around?
So, I was born in South Korea, raised in Hong Kong, and then went to university in Northampton in the UK. After that, I went to military service for two years. Then, I did a year and a half of modelling back in Korea which is when I started my acting career.  And now, I’m always in and out of LA. But I still enjoy travelling. I do it as much as I can. Because I have lived such an international life, I have made international friends, even the casts of XO, Kitty and Gran Turismo. But I also love to host when they come to visit. Whenever any of my friends come to Korea, I always tell them: “mi casa es su casa.”

How do you think travelling around so much has affected you?
I think it definitely helped me because I became more aware of people's cultures and how different people are. I never get shocked or surprised by a different cultural background, food, clothing or dance. I have to thank my parents for it. They were the ones that instilled it into me. We moved around a lot in my childhood because of my dad’s job. Even while in Hong Kong, I went to an international school which I think helped me a lot at a young age. Oh shit, this is interesting! I think it must have helped me too when it comes to XO, Kitty. The show is placed in one of those schools, I guess that’s why I was so familiar with that dynamic.

Left Sweater Isabel Marant, pants Givenchy, shoes Miu Miu

Right Suit Louis Vuitton, hoodie R13, boots Zadig&Voltaire, hat Yan Yan

Despite your young age, you’ve mentioned that you had time to “live life” before dedicating yourself to your career. You’ve modelled, you went and did your military service in South Korea, you’ve even bartended in the UK… What was the biggest lesson you’ve learned?
Oh, you know about the bartending!? [Laughs] You mentioned the word ‘lessons’, I’ll add another word to that: ‘life lessons’. I’m glad I have been able to make mistakes. When you’re young, you’re just naturally stupid. That’s when you have to make your mistakes. I’d say those experiences have shaped me. Now I think life is either a daring adventure or nothing at all. Every day I try to live life to the fullest. I have the most extraordinary life. I think my past experiences have contributed to that. Whether it was bartending in the UK, cooking barbecue in Korea or working at a warehouse in Hong Kong, they all taught me great lessons.

Do you feel like those life experiences impact you as an actor?
Definitely. I mean, I guess if you’re talented enough you can play emotions you’ve never had. But I think you have to go through something to portray it honestly. You see the real emotions in people’s eyes.

Beyond XO, Kitty, you are also in the new Gran Turismo movie. What more can we expect from you in the future?
Yeah! That's premiering in August. I can’t wait to see the whole cast again. But it’s hard to understand what’s going to happen with future projects. XO, Kitty has been picked up for a second season. But, because of the writer’s strike going on, everything is delayed. Even when it comes to future projects, auditions have kind of stopped. I really hope the strikes turn out well and everyone reaches a point where they’re happy. But, for now, I am going to appreciate my time. I want to reassess everything I have been through and what I’ve achieved in a short period. I want to spend time with my family and friends. Do my little hobbies, rock climb, watch movies… I want to think about my next steps and figure out new milestones.

Jacket & pants Acne Studios, boots Zadig&Voltaire

You've just mentioned your love for rock climbing. While doing my research, I was hypnotized by your Instagram page dedicated to this hobby. What attracts you to this specific sport?
I think it's the adrenaline. I’ve tried a lot of sports: football, basketball, tennis, cycling. And I think I eventually realized I didn’t like most of it. But rock climbing gives me a sense of achievement. The feeling of adrenaline rushing through your body is unreal, it scratches an itch. I also really love the fact that I don’t have to diet because of it. For five or six hours you’re doing a full body workout and the thrill is constant. And then, when you leave, you can kind of eat whatever you like, which I appreciate. I hate diets because I’m a huge foodie. That combined with the achievement level is unmatched.

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Discover the full story in our FW23 FANTASY Issue.

 The interview & fashion story were conducted before the SAG-AFTRA strike.

Interview by Pedro Vasconcelos

Photography by Emilia Staugaard

Fashion by Jensen Edmondson

Casting by ImageMachine cs

Grooming by Sonia Lee at Exclusive Artists

FEEL THE FEAR AND DO IT ANYWAY

ALTHOUGH ARMANI JACKSON HAS BEEN ACTING SINCE HE WAS SIX YEARS OLD, HE DESCRIBES HIS YOUNGER SELF AS SHY. NONETHELESS, THESE DAYS, THE YOUNG ACTOR IS TAKING CENTRE STAGE WITH HIS LATEST ROLE IN THE PARAMOUNT+ SUPERNATURAL DRAMA SERIES WOLF PACK — WHERE HE PLAYS A DEEPLY ANXIOUS CHARACTER NAMED EVERETT LANG OPPOSITE HOLLYWOOD HEAVY-HITTER, SARAH MICHELLE GELLAR. WITH HIS GROWING RÉSUMÉ, IT MIGHT BE HARD TO BELIEVE THAT JACKSON, LIKE HIS WOLF PACK CHARACTER, DEALS WITH ANXIETY. BUT FROM HIS NERVE-RACKING FIRST AUDITION TO THE LIFE EXPERIENCES THAT HAVE FOLLOWED, ARMANI IS NAVIGATING HIS LIFE AND CAREER BY PUSHING HIMSELF TO CONQUER FEAR AND PRIORITIZING HIS MENTAL HEALTH ALONG THE WAY. WE CAUGHT UP WITH HIM TO CHAT ABOUT HIS GROWING CAREER, HIS DREAMS FOR THE FUTURE, AND THE IMPORTANCE OF FEELING THE FEAR AND DOING IT ANYWAY.

Left Full look N21

Right Shirt, pants & shoes Saint Laurent by Anthony Vaccarello, jewellery Boucheron

How did you get your start in acting?
In the beginning, the main reason I wanted to start acting was because of my sister. She started a couple of years before me — she's two years older than me, so everything she did, I definitely looked at as something that was cool. She had a meeting with a manager when we first moved out here [Los Angeles] from Wisconsin and asked if I would go in with her. I had no intention of being an actor at the time, but I went because she offered me a stuffed animal that I wanted.

They had her do the cold read, and they asked me if I wanted to do one too. I was so shy back then, so it was really nerve-wracking for me. But I did it. They wanted to hire my sister, and they also wanted to hire me. I was six years old, and I didn't think I was going to do acting. But I said yes, and I took the chance — that's definitely one of the things that got me out of that shyness I had when I was younger.

Left Full look Celine Homme, necklace Boucheron

Right Full look Zegna, earring Boucheron

Was there a moment when you made a clear decision to pursue acting as a career?
The first time I felt like acting was something that I would be doing for my whole life was when I did a horror movie called Cooties. I was only nine years old when I did it, but I fell in love with horror at that moment. 

When I was younger, I always had a fascination with horror, even though it was scary. Being able to film an actual horror movie at nine and see the inner workings of it — that’s definitely when I fell in love with acting.

Left Coat Giorgio Armani

What drew you to Wolf Pack?
My sister was a big fan of Teen Wolf, so she was like, "Oh my God, the same creator is making another werewolf show? This could be really good." That, and I was excited to have the opportunity to tell a story that hasn't been told that much — reading the script, it seemed like one of those. And getting the chance to portray someone who suffers from anxiety was another part of why I liked it so much. There aren’t that many roles out there where you get to portray something as authentic as generalized anxiety, which is definitely something I deal with as well. So I felt like it was something that I didn't have to really try too hard at. I was just able to lean into the anxiety that I deal with on a daily basis.

Left Full look Loewe, necklace Celine Homme & earring Boucheron

Right Full look Prada & earring Boucheron

You started experimenting with music during COVID. What was that like? What inspired that experimentation?
It came from just the lack of being able to control my career during the pandemic. There were barely any auditions at the height of it, and there wasn't really anything going on with acting. I wanted to take something into my own hands, and I'd always wanted to make music. So making that leap was definitely really important for me. Writing and making my own music also helps with acting and being more in touch with your emotions. Now, I've fallen in love with music. I'm going to be releasing a lot more music later this year.

Left Full look Isabel Marant & earring Boucheron

Right Full look Celine Homme & earring Boucheron

You launched a non-profit, called Beautiful Minds, with your family this year — can you tell us more about it?
My mother, sister, and I started it after the death of a loved one. We created it to educate people on the holistic options to help with mental health, like ketamine treatments and somatic therapy. We partnered with the Social Impact Fund, and we're going to be launching an online fundraiser platform soon with our team — I'm really excited about that, too. Being on a show that deals with mental health, and now having a non-profit along the same lines, is definitely exciting.

Left Jacket, vest, sweatshirt, tee, jumpsuit & rings Givenchy, shoes Timberland, earring Boucheron

Right Full look Celine Homme

…

Discover the full story in our FW23 FANTASY Issue.

 The interview & fashion story were conducted before the SAG-AFTRA strike.

Interview by Jameelah Nasheed

Photography by Doug Inglish

Fashion by Andrew T. Vottero

Casting by ImageMachine cs

Grooming by Mira Hyde

Retouching Maxfield Hegedus

Production’s assistant Denise Solis

EXPLOSIVE CHARISMA

ACTOR JOSH HEUSTON WAS QUICKLY ANOINTED THE NEXT TEEN DREAM AFTER MAKING HEARTS FLUTTER AS THE INSECURE BUT OH-SO-GOOD-LOOKING DUSTY IN THE HIT COMING-OF-AGE NETFLIX TV DRAMA, HEARTBREAK HIGH. HAVING ALSO LANDED ROLES IN THOR: LOVE AND THUNDER, BALI 2002 AND MORE THAN THIS, HIS BEGUILING BROODINESS AND NATURAL ACTING PROWESS HAVE CEMENTED HIM AS ONE OF AUSTRALIA’S NEXT GEN OF RISING TALENTS WE’LL BE SEEING MUCH MORE OF… WHICH IS FINE BY US.

Left Full look PRADA

Right Full look BURBERRY

Firstly, can we just talk about the fact that you’re a Bachelor of Science in Biomolecular Science and a Bachelor of Commerce?! That’s impressive. What was your career plan before the modelling / acting came along?
I never really had a specific plan while at University, I don’t think I had a proper path until I started acting.

Left Necklace ACNE STUDIOS

Right Full look GUCCI

So, after you were scouted as a model, had you already finished your studies, or did you find yourself traveling around the world walking the runways, with only a pile of schoolbooks to keep you company?
I was doing both at the same time and eventually had to make a choice between the two. I figured I could always come back to Uni, but the path of modelling might only be open for a smaller window.  I am so grateful for the opportunities I have encountered so far and here’s to loads more in the future.

Full look EMPORIO ARMANI

Obviously, your good looks helped bag you the modelling gigs, but acting is really where your passion lies, right? Being in the music video for Super Cruel’s song Sicklaced in 2017 really kickstarted the fire for you. Did you sign up for any classes at all after that?
Acting is where my passion lies. After that tiny part in the music video, I signed up to every acting class I could find in Sydney and from those, auditions started to happen.

Where do you get your confidence from?
I think my confidence comes from knowing who I am and being comfortable with the good and bad parts of that.

Were there films or TV shows you used to watch as a kid and thought, I want to be that lead guy?
As a kid I was obsessed with the Lord of the Rings franchise. I’ve watched all the films over 20 times! I’ve also always loved Fight Club.

Left Boxers HAULIER

Right Top CHANEL, necklace ACNE STUDIOS, shorts ISABEL MARANT, vintage belt stylist’s own

Your big breakout role was in 90s reboot Heartbreak High as Dusty Reid. You turned the typical high school heartthrob character trope on its head by revealing all his flaws and insecurities instead. It worked with today’s societal pull for more men to be open and talk about their feelings, rather than these hyper-masculine dudes. How did you approach that role, were you given carte-blanche to mould him as you wanted?
The writer of Heartbreak High, Hannah Carroll Chapman created Dusty with this energy of being not your typical high-school character.  My main goal was to make him feel as real as possible. Most interpretations of the quote-on-quote “heartthrob” in a high school drama are typically flawless and hyper confident, I wanted to show the other side of that.

What were you like in high school yourself, were you the guy that everybody wanted to go to Prom with?
Definitely not, there were plenty more popular guys in school!

Left Full look ZEGNA

Right Necklace ACNE STUDIOS

As well as representing and tackling topical discussions in the storyline, the Heartbreak High reboot also included a diverse ensemble cast, and helped more young Aussies feel seen on screen. How important was that, and is it to you now, in terms of your own cultural background and your progression in this industry?
Extremely important. I think Australia as a whole is very diverse, so screen should also reflect that.

The show’s impact on your career obviously opened doors for you, and you went on to do the TV drama Bali 2002 and then Marvel's, Thor: Love and Thunder alongside Russell Crowe and Chris Hemsworth. Were you pinching yourself on set with those acting heavyweights? Did you get any top tips and advice from them?
I’ve grown up watching both of those actors, so it was a surreal experience being on set with them. I learnt a lot just watching them work, from the way they engage with the camera or handle the text.  It was a masterclass to watch, and I look forward to more!

Left Full looks PRADA

Right Full look EMPORIO ARMANI

One thing you’ve got to love about acting is just the ability to lose yourself. What kind of stories are you interested in exploring and telling? Is there something you’re always on the lookout for in a script that excites you?
At this stage of my career, I think I’m excited by projects that scare me or make me a little nervous.

Do you have a wish list of directors, and actors you’re itching to work with?
The list goes on forever, but I’d love the opportunity to work with Christopher Nolan, Denis Villeneuve, and Luca Guadagnino.

Left Boxers HAULIER

Right Robe BURBERRY

We must talk about Dune: The Sisterhood, your upcoming project, who do you play and what can fans expect from this prequel series?
I play Constantine Corrin, he’s the illegitimate son of the emperor. I think any fans of the film franchise will love it, but I can’t say much more!

What’s important in your life and your work? Do you feel you are achieving the kind of success you want to have so far, in terms of how you want to live your life?
Family is the most important thing to me. I feel like I’m on the path I want for my life.

Finally, what advice would you offer the young Australian sitting at home, who wants to act?
My advice would be to just start! Do classes, film scenes at home, everything, and anything to help, just do it!

Full look EMPORIO ARMANI

Discover the full story in our FW23 FANTASY Issue.

 The interview & fashion story were conducted before the SAG-AFTRA strike.

Interview by Kate Lawson

Photography by Rob Tennent

Fashion by Thomas Townsend

Casting by ImageMachine cs

Grooming by Fernnando Miranda

Josh Heuston is represented by Kult Models

MULTIPLE AT ONCE

WHETHER IT'S ACTING, DIRECTING OR WRITING, THERE ARE MANY WAYS IN WHICH JOSHUAH MELNICK IS EXPLORING HIS LOVE FOR THE WORLD OF CINEMA. THIS MULTI-DISCIPLINARY APPROACH GIVES US PLENTY OF OPPORTUNITY TO DISCOVER THE SENSIBILITY OF THE AMERICAN 25-YEAR-OLD TALENT. WE MET UP IN PARIS AND DISCUSSED JOSHUAH’S LATEST PROJECTS, WHY ACTORS ARE THE AGENTS OF EMPATHY AND HIS COMFORTABLE APPROACH TO FASHION.

You've worked on a wide range of projects recently both as an actor, director or co-writer. How do you combine these different roles?
I think it depends on the context and the people I’m involved with. Though the crafts themselves are different, they’re all just about externalizing feelings into material that can be experienced by other people, and hoping they feel something too. It’s all about squeezing out as much aliveness as possible. I think writing and directing are the most similar but acting takes the most courage which then makes me a better writer and director. The writer is the architect and the director has to execute the plans and maintain the vision of the film. But the actor is the one who breathes the story into existence. They’re the ones who carry it inside of them and make it come to life. I have a lot of respect for that work.

Are there any films that have had a profound impact on you and that inspire you?
Yes, a lot. A Woman Under The Influence by John Cassavetes, Badlands by Terrance Malick, Flowers of Shanghai by Hou Hsiao-Hsien, Little Children by Todd Field. 2001 Space Odyssey and A Clockwork Orange by Stanley Kubrick. Her by Spike Jonze. Love is the message, the message is Death by Arthur Jafa. The Last Waltz by Scorsese. Drugstore Cowboy by Gus Van Sant. Boogie Nights by PTA. A lot more!

What kind of movie would you like to play in and/or direct?
I’d like to make movies in all different genres. There’s a comedy/drama that I wrote that I’m excited about acting in, but I want someone else to direct it. I’d also love to act in a spy thriller. An action movie. A Pixar movie too. Period pieces are really fun. I think for directing, smaller indie dramas and then maybe something bigger eventually.

In your opinion, what does it mean to be an actor in this day and age?
To entertain, to make people feel alive… I mean literally their job is to just bring stories to life which requires them to shed their mask until some universal truth is revealed, which I think requires relentless courage and curiosity. I’m learning though. Actors are like agents of empathy.

What is your relationship with fashion?
Practicality, comfort and context. I want it to make sense, and be comfortable. Then it’s all situational. I tend to like to be chameleonic so I wear clothes where I can, as best as possible, exist in different situations throughout the day. I don’t like outfits that beg for approval from other people. I just wear what makes me feel confident.

If Celine was a movie, what would it be?
Maybe Eyes Wide Shut by Kubrick meets James Bond. Or Kids by Larry Clark meets Whiplash by Damian Chazelle. Kind of crazy combinations. Something punk and sexy but also so classic. Like it’s rebellious but has also always existed.

What are you working on at the moment and what are your upcoming projects?
I just finished writing that comedy/ drama feature that I mentioned before called Summer Penny, the title may change though. I’d like to shoot that soon. I’m also acting in a film next month called Please Don’t Feed the Children which is a psychological thriller shooting in New Mexico. I also just executive produced a short film by Angalis Field who directed a film I was in that played at Sundance last year. I’m really excited about this music project I co-wrote that will be out in September too.

All clothes Celine Homme

Interview and photography by Hanna Pallot

REDEMPTION AND FREEDOM

“Don’t stop dreaming just because you had a nightmare and don’t stop feeling just because they hurt you,” sings ENIS in the opening lines of ‘Lavender garden’, the song from his debut EP ‘E01 demo collection’.

For the young Kurdish-Danish alt-R&B artist, his new body of work is a form of facing the demons of the past – the negligence and mental abuse coming from his ultra-conservative family who didn’t accept his queer identity growing up, leading him to run away from home at the age of sixteen, and the deep heartbreak coming from the toxicity of his recent romantic relationship.

The songs on the record became the hymns of redemption, symbolizing the beginning of his road to the freer version of himself. The sense of healing is further explored in the visuals created to accompany the sound – made in collaboration with Italian director-photographer, Leonardo Casalini.

Ahead of the EP’s release, ENIS met up with photographer Steve Marais in Berlin to work together on an intimate series of photographs titled ‘tired feet’ - you can see its exclusive selection below.

Words by Martin Onufrowicz

Photography by Steve Marais

HUMANLY CHIMERICAL

From a magical fantasy realm to apocalyptic futures, freya allan has established herself as a sci-fi darling. The magnetism she feels for the genre traces back to her childhood when she first visited the worlds she now inhabits. Despite the imaginary context she’s in, freya manages to maintain a sense of humanity. A feat that, according to her, is a by-product of her analytical nature. In defiance of the success she found in the surreal, she’s ready to put her feet on the ground, confessing her desire to play roles that differ from everything she’s done so far. It's not just as an actress that freya manifests this desire, her longing for authenticity is crucial to her artistic identity. As a painter, she focuses on the uglier side of reality, a direct response to what she calls the oversaturation of perfection. Her artworks sit behind her as we catch up on beauty fatigue, stunt work and her latest projects.

Full look Saint Laurent by Anthony Vaccarello

From The Witcher to the Planet of the Apes, all the way back to your first job in The War of the Worlds, you always stay close to the Sci-Fi or fantasy genre. What attracts you to this kind of storytelling?

 I feel like it was accidental in a way. With The War of the Worlds, I was just ecstatic, it was one of my first TV roles. The Witcher was, again, a big break for me. I don't think that was necessarily a choice. When I was starting, back when I was 14, I remember feeling very excited by watching those kinds of movies. I think I spent so much of my childhood pretending to be in a sort of fantastical land, that the prospect of actually getting to do it professionally really excited me. But now, I’m at a stage where I’m excited to do something more contemporary, something entirely different.

 

You mention The Witcher as a “big break”, but you initially had a much smaller role…

 I went for Ciri first and the audition went so well. It’s not often that actors have that feeling, but I genuinely felt such a natural connection to the character, it just felt fluid. I then received an email from the casting congratulating me on my audition but, unfortunately, the higher-ups had changed the description of the character. They still wanted me to be in the show somehow, so they offered me Marilka, a much smaller role, which I still found quite exciting. But then, a few days later, my mom showed up at my school. I was like, “What the hell are you doing here?”, and she told me the agent called and I got a call back for Ciri. She knew how disheartened I was to find out that I wouldn’t be considered for that character, so she got excited and decided to show up at my school [Laughs]. I went back to do the call back and I think I even made them tear up a little bit. I then found out I got it on my birthday.

Full look Prada

“I think I spent so much of my childhood pretending to be in a sort of fantastical land, that the prospect of actually getting to do it professionally really excited me.”

 Why do you think Ciri resonated so much with you in the beginning?

 How feisty she was. I felt like I could relate a lot to who I was as a kid. She voices her opinion and knows what she wants for her future. I found that to be very captivating.

 

Ciri, in more than one way, escapes the stereotypical role of a princess, she’s turned into a warrior. Do you enjoy doing the stunts associated with this shift?

 I love it. Alongside acting, I was into dance growing up, so I use some of that training. Stunts are very physical; they require you to be in tune with your body. It’s really a dance, I mean, we’re not actually hurting anybody, so you’re just dancing with the other stunt performers. Luckily, ours are so good that they just allow me to focus on what I’m doing, and they’ll work around that. But, still, you have to know what everybody is doing. I love the challenge of it, it’s like the icing on the cake. I’m a very competitive person, I feel like that comes out of me when I’m doing stunt work.

Full look N21

 You mentioned your desire to move to more reality-based narratives. But I find it genuinely impressive how your performances are so human. Do you find it challenging to root real emotions in such unreal contexts?

 Thank you, I’m glad you think that. Well, let me start by saying, it's all a challenge, but I do find that side easier. I feel like I’ve always been very analytical of people’s behaviour. Even to myself, I constantly question why I am reacting in a certain way to a situation. I do the same for my characters, you have to truly empathize with what they’ve gone through. I think the harder moments are when you’re having to make believe, especially when you don’t have all the answers yet. As actors, we want to know the details of everything, but sometimes, for jobs like The Witcher, it can be confusing to wrap your head around certain stuff.

 

I couldn't stop staring at your paintings behind you. When did you first discover your love for art?

 Again, it goes back to my childhood. I was an only child until I was 11. I had a lot of years where I had to entertain myself. I would wake up in the morning before my parents and would, ironically, write and illustrate children’s books at the age of five. I was always making up creatures, which is ironic now being in The Witcher. When I got to secondary school, I was fortunate enough that they had an amazing art department. I just continued art from there, the other students were amazing artists, and I just absorbed everything around me. And, you know, all my best friends are artists, they’re all studying at Central Saint Martins or Goldsmiths. I think they remind me to continue expressing myself even as I focus on my career. It’s very meditative. It’s the only thing that distracts me, my brain is constantly ticking but when I’m painting, I’m focused.

Left Full look Dries Van Noten

Right Full look Giorgio Armani

 When I look at your pieces, I feel there’s a certain Paula Rego charm to them. Beyond your friends, what are some of your biggest inspirations?

 I have so many. Lucien Freud. Jenny Saville… I’m blanking now. Oh, and David Hockney. We studied him in secondary school, and I almost got a bit sick of his work but somehow, I think it's subconsciously seeping through. People have told me they see it a little bit. But, in terms of what I paint, it tends to be friends and family in candid moments. And, usually, not very attractive moments.

 

What do you think makes you paint the less manicured version of people?

 We're constantly fed so much perfection. It’s constant on social media, in magazines… You see it all the time. I think I was subconsciously bored of it. I don’t want to even stare at it enough to sketch it, it’s just another pretty face. And, technically speaking, there’s something interesting about painting the wrinkles, the moles, the fat, the dark under eyes. It just makes it more alluring, those textures and colours that contrast with a flat airbrushed face. There you go, I never thought of that, but that’s my thought process.

Left Top and skirt SHUSHU/TONG, ring Boucheron

Right Dress Di Petsa, shoes Jacquemus, jewelry Boucheron

 Do you find that there’s some overlap when it comes to acting and painting?

 I have always had a creative mind. Anything that isn’t a point-blank answer, like one plus one equals two, has always fascinated me. It’s interpretive, which can be terrifying, but it's individual. Even when it comes to acting, you can’t say you’re doing it 100% right, because you could approach a character or a scene a million different ways. It’s always a fight within your mind over what’s right or wrong. I feel drawn to those kinds of things. There’s an element of discussion around these choices that I enjoy a lot.

…

Discover the full story in our upcoming FW23 FANTASY Issue.

 The interview & fashion story were conducted before the SAG-AFTRA strike.

Interview by PEDRO VASCONCELOS

Photography by GREGORY DERKENNE

Fashion by STEVEN HUANG

Casting by IMAGE MACHINE CS

Hair by PATRICK WILSON at The Wall Group using Hair By Sam McKnight

Make-Up by FRANCESCA BRAZZO

Stylist’s assistant NIAMH MANNION

CONSTANTLY LEARNING AND LETTING GO

Beau Minniear is a new New Yorker and his affection for the city grows stronger with each day he gets to walk around the buzzy streets and observe its never-ending energy. This desire to explore intensity is something that also drew him to acting – a profession that gives him a safe space to rip through the highest of emotions. For us, the young indie actor talks about the power of not holding back in performance, putting on shows for animals as a kid and the joys of falling in love for just a second.

Hey Beau! Where are you right now?

 I’m in New York, I just got back from Cape Cod - I went there for a film festival.

 Nice! How long have you been living in New York?

I moved here full-time in April. Before that, I was going back and forth between here and LA.

What’s your favourite spot in the city right now?

 Man, there’s so many! I moved to LA when I was 18, and when you’re so young, I think there’s a real need for making friends. But moving here, my favourite part about this city has actually been the fact that it feels so romantic even when you’re on your own. In other places, being alone can be pretty loud. But here, you’re just walking around and you might end up at a jazz club that has five people in it. And then, the streets are filled with music and so many smells. Maybe because I’m still fresh, even riding the subway feels romantic! Being alone here has its own power, so I’m really riding a high of exploring this place solo.

 Yes, exploring a city on your own can be really entertaining!

 Yeah, you learn so much about yourself. Also, watching love all around you, oh man, it’s like a drug. And then you’re walking down the street and have eye contact with somebody for a second. You fall in love and then boom, they’re gone. There’s all these little moments that happen here.

 Let’s talk a little bit about acting – what made you want to pursue it? Did you have a specific moment when you realized this was the path for you?

 I don’t think I’ve ever had that moment. I grew up on a ranch on the outskirts of Park City, Utah, surrounded by nature and animals that my dad would get on Craigslist for really cheap. And those animals were something to bounce the ideas off – I was talking to them like a little crazy kid. So maybe performing for them in the woods is where it all started for me. At school, I never really clicked with the drama kids, I never could quite see myself with them. And I never clicked with the football kids either. I would bounce around, get into a lot of trouble and I got suspended a bunch.  I had no respect for discipline or authority at all. It wasn’t until I met a guy named Jordan Chappelle, who’s an acting coach in LA, that I first realised that the director-actor relationship is something that I crave, can listen to, and that I see this environment as a safe space for me to explore the emotions that I used to get in trouble for without the repercussions and the shame and the guilt. So yeah, it’s been an evolving process. I think that, as an artist, you’re constantly learning and constantly letting go. Acting is always a new experience. And I don’t have a hold on the process itself – it just feels like something that I have to breathe in and take with where I am in my life at the time.

 Is going in and out of these extreme emotions something that you find the most thrilling about it?

 Yeah. When I was younger, I always thought that being a man was about anger and that raw quality of someone like Marlon Brando [points to a poster of Brando’s film hanging on the wall]. And acting is a really great space to rip through that. Then on the other side of it, there’s vulnerability and honesty and accountability – to have that space to work through them and not hold back is the healthiest thing, at least for me. Also, it’s so much fun to cry and fight and laugh and fall in love on stage or in a project. It’s addictive.

 It’s so freeing. So we know that Marlon Brando is one of your favourites. [Laughs] Who are some other actors that you look up to?

 It’s always changing. Tom Hardy, Shia LaBeouf, Michael Shannon and Michael Fassbender are a few that come to mind.

 What’s something that you’re looking forward to?

 I’m looking forward to the strike ending. That said, I also want actors to be treated fairly. It’s an interesting time for indie films and that’s what I love – that’s what I grew up on. So I’m excited to see the wave of independent movies that come out of this and stories that might not have been heard before. Also, I’m looking forward to the next time you come to New York and we go to some jazz bars!

…

Interview by Martin Onufrowicz

Photography by Ritchie Jo Espenilla

IN THE EYES OF GLASS

Energetic, charismatic and sensitive, Stella Rose Gahan is someone who hardly leaves you unmoved when you meet her. Launching her last album Eyes Of Glass this past April, the 23-year-old artist has already made her own mark on today’s rock and roll scene. We met with Stella Rose in Paris on the occasion of Celine’s latest SS24 presentation.

Who are your biggest inspirations and why?

Inspiration can be a bit mysterious at times. It isn’t always as obvious or significant as it appears. My inspirations can be in simple things like people watching — catching a moment between two strangers. It makes me feel connected. Like there is something larger at work. It is really beautiful when you catch a glimpse of another person's life, someone you may never see again. It feels like a secret. Human behaviour is inspiring to me. Synchronicities in life that seem impossibly timed. My second love is photography and films. Words give imagery, and it is what I am most drawn to achieving when writing. 

 How do you perceive today’s New York rock and roll scene and how do you feel being a part of it?

I sort of keep my head down and do my own thing. I think New York is brilliant that way since you can kind of disappear in it all. Things are always changing and evolving and I think it is important to just do what feels right and everything else will follow. 

 

You released an album Eyes of Glass last April. How did you compose it and what does it symbolize to you? 

Eyes of Glass feels like a symbolism of many letters to myself in the last few years of my life. Having a sort of Hell Hath No Fury spin. I can be quite dramatic when it comes to love.  

Where do you find beauty and poetry?

My mother is beauty and poetry in my life. She gives me resources to express myself and honour my heart. 

 

What is your relationship to fashion and how does it relate to music? 

Clothing is instrumental to who I want to be for the day when I get dressed in the morning or for a performance. It sets the tone. People like David Bowie, Debbie Harry, it goes on. Playing dress up is magical and seductive. Alluring colours and silhouettes telling stories of their own. It can be a superpower. 

 If Celine was a song, what would it be?

Mhm… seems like a question for Hedi!

 

What are you working on at the moment and what are your upcoming projects?

Exploring new territory in familiar places. 

…

All clothes Celine by Hedi Slimane

Interview & photography by Hanna Pallot

EVER-EVOLVING

Saying goodbye to his role of 5 years as Ben in The Umbrella Academy, Justin H. Min is embarking on a new journey as a different Ben in Shortcomings. He’s played robots, ghosts and superheroes, but the actor was most excited about exploring the humanity of the cynical character he played in the new film. While currently in limbo – still living out of a suitcase between New York and LA – his schedule is dense but he still pinches himself daily. This is the position he gets to be in, acting with directors, producers and actors who inspire him. We sat down with Justin to discuss his latest acting projects, growing Asian-American representation in Hollywood and his custom-made role in Netflix’s hit Beef.

Left Full look Versace

Right Coat Lemaire

Last season, your role in The Umbrella Academy shifted, as you had to play a more antagonistic version of Ben. How hard was it to explore that?

I liked playing both versions of Ben for different reasons. It was a little more fun to play the season three Sparrow Academy Ben because he’s such a departure from who I am. He’s a huge asshole, and I hope that I’m not.

 The next season will be the last. What can we expect to happen?

It dives into the reckoning with who these characters are without their powers, what does that lead to? There has been a question on the show for the last three seasons that will finally be answered in this season.

Left Full look Calvinluo

Right Full look Lemaire

 Let’s talk about Beef. What drew you to this series?

That role was sort of written and made for me. Lee Sung Jin and my older brother were best friends in college. My brother was a very prominent worship leader through college, and is now a pastor. So, when writing Beef, Sunny knew that there was gonna be a prominent storyline in the Korean church and he wanted me to play the worship leader part, partly based on my brother.

Full look Lemaire

 I read the script of Love & Noraebang, a podcast series which explores multiculturalism in LA, also explored in Beef. With your experience growing up as a second-generation Korean-American in LA, how would you say your Koreanness has influenced your acting experience?

I never grappled with my Koreanness until I got into this industry. It was the first time I ever really experienced something like, “Oh, people see me not as an American, but as other.” It was something that I really had to reckon with and it came with its own set of existential crises, a lot of nights wondering who I was and where I fit in this industry. But now it's something that I embrace, knowing that that is really at the core of who I am and it affects the work that I do, both consciously and unconsciously.

Shirt Lemaire

 How would you say Asian culture is currently shaping Hollywood? We have shows like XO Kitty where Korean-American culture is being highlighted. How does this form of representation matter in today’s entertainment industry?

I don't think there's ever been a better time to be an Asian-American actor or artist. Globalisation is real. The Korean wave is real. And people are more than ever interested in different cultures and are willing to watch a film with subtitles and be just as invested in them as they are in “American” TV or film. Now, there are so many different representations of us on screen that we can really reflect on the fact that we are not a monolith.

Shirt & pants Commission, boots Givenchy

 I want to congratulate you on your performance in Shortcomings - I found it really hard to feel any sympathy for Ben! What attracted you to this role?

Ben is so complex. He is deeply, deeply flawed, which to circle back to the topic of representation, is not something that we've often seen of Asian-American characters. He really does feel deeply broken, has so many insecurities, and is trying to date but is flailing. All of these things sort of make up the human experience and I was excited to dive into that role.

Full look Versace

 Can you tell us about how the film treats the talks around race within romantic relationships?

I love Shortcomings because it's not prescriptive. There's a multitude of perspectives. What makes talking about race so difficult is that people are coming from a very emotional place. Dating is emotional. Falling in love is emotional. You can never speak on these kinds of issues with any sort of objectivity. I hope the movie inspires those kinds of conversations. The more we talk, the more we as a collective society can hopefully learn and move forward.

Full look Lemaire

 My favourite line from the film is, “I’m sorry you had to meet me at this point of my life,” which I think highlights that this whole movie is just a phase, that Ben is not stuck but ever-evolving. What was your personal takeaway?

You realise that people are the way they are because of things that they've experienced. When I was first starting out in this business, I would go to audition after audition, and hear ‘no’ and a closed door, and ‘no’ again, and another closed door. After years of that, it really wears you down and you start to look at life through a very cynical mindset. That was something about Ben that really resonated with me. My biggest takeaway was just learning to empathise with people.

Shirt & pants Commission, boots Givenchy

…

 The interview & fashion story were conducted before the SAG-AFTRA strike.

Interview by Gabrielle Valda Colas

Photography by Emilia Staugaard

Fashion by Shaojun Chen

Grooming by Zaheer Sukhnandan

Production by Peter McClafferty

Casting by ImageMachine cs

Stylists assistant Ray Z

CRUEL SUMMER

After auditioning from her college dorm room in Pittsburg with the help of her roommates, Lola Tung landed her first breakthrough role as the protagonist in Amazon Prime’s The Summer I Turned Pretty. As a teenager figuring things out, her character Belly finds herself to be the catalyst of a love triangle with two brothers who she's known her whole life. Whilst we meet Belly in her exploration of the boys in the first chapter, season two was an opportunity for Lola to dig deeper and explore the darker sides of her character. For us, Lola talks about her thoughts on the newest season, as well as her hopes for the future - always to a Taylor Swift soundtrack.

So Lola, tell us about how you got into acting.

I started acting when I was in middle school. I auditioned for my school musical which was The Wizard of Oz, and I got cast as the tin man. I loved every aspect of theatre and acting, the whole rehearsal process and performing. I don’t think anything else made me feel as alive.

Were you a fan of The Summer I Turned Pretty trilogy before auditioning for the role? Why would you say the work of Jenny Han speaks to this generation of viewers so much? 

I hadn’t read the books but I had seen the To All the Boys I’ve Loved Before movies. I was a huge fan of Jenny Han. She’s an incredible storyteller, and she treats these stories with such care and is so involved with how her stories are brought to life. She also allows these characters to feel all of these important things. So many feelings are universal for teens and maybe adults don't always take them seriously, but when you look at it, it’s such a pivotal moment in your life. You don’t have to have it all figured out, you know?

I felt like the Belly we got in season two had a lot more depth than in season one - how did you approach your character’s development this time around?

The second season lives in the same world but it just has such a different tone. Belly is in a different headspace, she’s really dealing with the weight of her grief and it’s affecting every aspect of her life. I think she’s feeling pretty lonely when we first see her and nobody can really understand how she’s feeling. It was a little difficult to live in that headspace. But the thing that was really driving me, and making me hopeful is that the season is about her taking initiative and being determined to bring back the magic that she feels like she's lost, and to repair these relationships that mean so much to her.

What steps do you take to fully immerse yourself in a role?

In the first season, I wrote letters from Belly’s perspective to every character of the show. This season, I would just journal if I was having trouble cracking the code to the scene. Music was a huge part of it, there were certain songs that would immediately get me in the headspace I needed to be. A lot of Mitski and Phoebe Bridgers. It was an emotional girl season for sure.

Music is a very important part of the show - did you have any say in the music choices?

I trust Jenny so much with the music, she’s done an incredible job and she definitely asks us [for opinion]. She’ll show us cuts of scenes with different songs over it and ask us which one we think suits the tone of the scene the most. Or she’ll ask for song recs, which is cool because all of us have different tastes in the cast.

Personally, I’m rooting for Conrad - why do you think as viewers we’re always drawn to the more difficult and gritty relationships?

I think that’s hard and I try to be careful because obviously there are toxic relationships that are almost romanticised in a way that’s a little bit dangerous. But I think with Conrad, even though it is messy, he thinks he’s just doing what’s best. People sympathise with that and can relate to that. Sometimes it's just physically hard to be that vulnerable with someone, it's like weighing on you, it's almost impossible to open your mouth and tell someone how you’re feeling.

 Are there any specific types of roles or projects you aspire to work on in the future?

I’d love to do theatre at some point, and film. I’m interested in doing something different from Belly who I love so much, something that’s just the opposite and after that something completely opposite of that.

How do you balance your personal life with the demands and unpredictability of the industry?

Just taking it one day at a time, and knowing that the unpredictability of this business is rough but it's also the beauty of it. As someone who tends to stress about the future, I think it’s a good lesson, there are some things that aren’t in your control and that's ok.

…

The interview & fashion story were conducted before the SAG-AFTRA strike.

Interview by Gabrielle Valda Colas

Photography by Kat Irlin

Fashion by Yael Quint

All clothes by Chanel

Make-Up by Misha Shahzada

Hair by Dana Boyer

Nails by Mami Onishi

Casting by ImageMachine cs

Stylists assistant Josh Mooiweer

Shot at The Peninsula New York Hotel

Special Thanks Wai Lin Yip

A LOVE STORY

Sean Kaufman has soared to fame through his role in The Summer I Turned Pretty, a coming-of-age love story that has captivated the world’s attention. Ironically, it was a teenage romance that sparked Sean’s interest in acting. But, as the infatuation withered, his passion for the craft flourished, evolving into something profound. Like any relationship, Sean experienced the emotional seasons of an affair. The honeymoon stage marked a period of what he classifies as premature success. Yet, as reality settled in and the initial surge waned, he achieved great growth — a period crucial for refining not just the "hows" of his craft, but more importantly, the "why" behind his dedication. Sean considers this interlude as a pivotal time, shaping not only his success but also deepening his appreciation for where he stands now. Now, as he steps into the spotlight, the actor is figuring out what the future of his great love holds.

Full look Miu Miu

When were you first attracted to the idea of becoming an actor?

It's a funny story. I got into acting in middle school. There was a girl I had a crush on. And she was auditioning for the musical. I thought “What's a better way to spend time with her than by doing that?” So, I auditioned for it as well. And I ended up getting one of the leads in it. To be fair, I was one of two that auditioned. But I ended up loving it. After, my teacher convinced me to go to high school for it, to LaGuardia High School. And that's when I fell in love with it. 

Left Full look Prada

Right Coat Emporio Armani

After graduating high school, you got your first gigs in Law & Order SVU and Manifest. Do you feel like that initial spurt of success motivated you?

Definitely. It made me a little bit cocky. Because I was right out of high school, a month after I graduated, I booked Manifest and then Law & Order SVU, and they were back-to-back auditions. I was just over the moon, I thought “I’m the best actor alive,” I can do anything. And then I didn’t book anything for three years. It was humbling. But I’m still happy I had those opportunities. I was so young. I had no experience on set, so it was nerve-wracking and, to be honest, scary. I’m glad I got that feeling out of the way early on. A while ago, I went and saw one of those episodes again. I was like, “Jesus Christ, I suck.” I’m glad I have a couple of years on me and more training.

Full look Prada

How do you feel like that training has helped you home in on your craft?

Yes, absolutely. But it's important to say that it doesn't help everybody. If there's one thing that my co-stars taught me, it's that every single person has their path. Whatever works, works. But I know for myself, college was something that I needed. I was not ready to enter the professional world. And the training I received at college pushed me to not only be a better actor but to be just a better person. That helped a lot to prepare for the world.

Tank Top Nicholas Raefski, Jeans Kenzo, belt True Religion

You have mentioned in the past that you weren’t allowed to work and study at the same time but that you did it anyway…

[Laughs] Yeah… It honestly showed me that this is what I wanted to do. I proved to myself how dedicated I was. There were days where I had to kick my butt to class, from eight to noon then I’d have to run to the train stop to go to the city, do a one-minute audition, and run back in time for my three o’clock class and rehearse until eleven. I realized, “If I don’t want to do this I can quit, no one is forcing me.” By pushing myself through that I proved to myself how much I wanted it. it showed me that if I could do that I could do so much more.

Sweater Teddy Vonranson, pants & shoes Calvinluo, necklaces stylist’s own

What as it has been like to see all the success of The Summer I Turned Pretty, it even became the No. 1 show on Prime Video during its premiere weekend. Could you sense that level of success?

When we were shooting it, we knew it was like a Jenny Han show and that a fan base comes with that. But while we were shooting it it was different. We’re all still very young and for most of us this was pretty much the first thing we’ve filmed. Everything was new and fun, it felt like an experience that we were all going through together. It’s funny, the crew was constantly telling us how much the show was going to succeed but we just didn’t believe them [laughs]. When we came back to shoot the second season, they couldn’t stop saying “We told you so.”

Left Coat Emporio Armani, Tank Top, pants, ring stylist’s own

Right Tank Top Nicholas Raefski, Jeans Kenzo, belt True Religion

Do you feel like, by being a newer experience for most of the cast, the show brought you all closer together?

I think so. With season two coming out and everyone getting more successful, it’s getting harder for all of us to hang out. There was something about that first season before the show even came out. We had nothing to do but hang out with each other. We forgot we were actors, we were just people having fun, breaking into pools, skateboarding…

Left Coat Emporio Armani, Tank Top, pants, ring stylist’s own

Right Full look Emporio Armani

You’ve played Steven for two seasons now. What has been the most rewarding part of playing him?

Watching his growth. I know it's a very cliché answer, but it's the first time I’ve had the opportunity to dig into a character. It’s been fun to play a character that changes, it’s what every actor wants, so I’m very blessed to have the opportunity. The fact that he’s emotionally different than a year ago is a fun challenge. I’m letting him grow with me. I’m now two years older than I was when I first booked it, we’re intertwined in many ways.

Coat Emporio Armani, Tank Top, pants, ring stylist’s own

Full look Miu Miu

“I just want to keep choosing projects that are important to me and that impact the world in some way.”

You’ve mentioned in the past that to act is to feel insecure. Do you still feel like that?

The older I get, the more insecurities I find. With every new challenge comes new problems, with new opportunities arise new fears. But I think that’s what everybody feels anyway, I think anybody that tells you otherwise is lying, or maybe they’ve figured it out, in that case, you should go interview them, I want to know the secret. But I think I’m always going to have insecurities, especially when it comes to my craft. It doesn’t matter how seasoned you are, it’s always frightening.

 

Sweater & shorts Nanushka, shoes Calvinluo, rings stylist’s own

Do you feel like those butterflies are essential to perform well?

That’s an interesting question. It’s something I was taught in college that I carry with me. The anxiety isn’t there to help you or hinder you. They’re just a sign that your body is nervous, and the fight or flight instinct is settling in. What I try to do is not let the adrenaline take over me. I just let what’s happening happen, let the feeling pass through my body. I let it exist without affecting me positively or negatively.

Sweater Teddy Vonranson, pants & shoes Calvinluo, necklaces stylist’s own

What do you envision for the future of your career?

I just want to keep choosing projects that are important to me and that impact the world in some way. Hopefully, I’ll get the chance to do that. That’s the dream. I think of people like Steven Yeun, Michelle Yeoh, Tilda Swinton or Mia Goth, people that choose their work based on how important they are [to them]. Selecting based on the need for a voice is something I look forward to doing. 

I can’t wait to see it. 

I can’t wait either. 

…

The interview & fashion story were conducted before the SAG-AFTRA strike.

Interview by Pedro Vasconcelos 

Photography by Tazaca

Fashion by Shan Temuri

Casting by ImageMachine cs

Hair & Make-Up by Laila Hayani at Forward Artists

Photographer’s assistant Joe Charles

Stylist’s assistant Angelina Ding

DREAM BIG

If this is the first you’ve heard of David Iacono, take note, because it certainly won’t be the last. The young Italian and Puerto Rican actor has already appeared in Netflix's Grand Army, HBO Max's The Flight Attendant, Amazon Prime’s The Summer I Turned Pretty and the genre-blending movie Cinnamon. “Spread love, it’s the Brooklyn way”, reads Iacono’s IG bio, and he should know, having been born and raised in New York’s coolest borough.

We threw the spotlight on the LaGuardia ‘fame’ school graduate to talk about the power of storytelling, fans, and famous movie quotes.

Left Full look Valentino

Right Top Acne Studios

Your character Cam, in The Summer I Turned Pretty, has a dorky-yet-charming appeal, and the series has that sense of teen nostalgia, about finding yourself and belonging to something. What do you think is the inherent power of storytelling? 

Deep question to start! I think storytelling holds a lot of powers inherently. The most beautiful thing about telling stories to me is just how subjective they can be. I’ve personally been in tough situations in life (as we all have), in which I’ll randomly throw on a given movie or TV show, or even an album that speaks so accurately to the current rough patch I’m going through. Then, months later, I’ll throw the same thing on, and I get a completely different message from it. At the same time, sometimes it’s so great to listen to a story and NOT relate it to life at that given moment. Stories are so important because they can be whatever you need them to be. 

Left Full look Miu Miu

Right Full look Prada

So, what was your process in trying to really get to the essence of Cam’s character in the story as we know him from the books?

 When Belly meets Cam in the book, it’s such a vivid moment in my memory of the book’s story. He’s almost like a golden nugget of relief to her when she catches his eye, a breath of fresh air from all of the complicated things that come with falling in love with someone you grew up with. So, I just tried my best to channel that: being an easy-going, honest, caring person to Belly, despite any awkwardness that comes with being so vulnerably yourself. 

Top Acne Studios, pants & shoes Emporio Armani

Are there any similarities between him and yourself?

 Most definitely. I really lucked out. I mean, I’d like to think I pulled off being awkward and somewhat insecure as smoothly as Cam does. That aside, I do really have a passion for the ocean - maybe not from a scientific perspective like Cam, but I related to what he said in the first season, about appreciating just how humbling it was to understand the vastness and creativity that comes with studying the ocean. And I grew up swimming a lot, so I got it. 


The show has a strong fanbase, as do the books, and there is a pressure with every season to live up to the last one and be authentic to the book trilogy. Did you feel that pressure at any point, in not wanting to disappoint the fans who likely have high Expectations?

I guess somewhat. But in terms of living up to expectations of fans of the book for the second season, I didn’t feel it as much as I did for season one, because Cam’s not really in the second book. I definitely wanted to do Cam’s fanbase and portrayal justice for the first season, because he’s such a beloved character, and I think I did that successfully. But for season two, I felt a little more creative liberty when it came to my performance. I got to explore what the writers had given me in the script in a more direct way, which was so much fun. 

Left Full look Prada

Right Full look Miu Miu

What can we expect (that you’re allowed to tell us!) for Cam in this new season, maybe some exciting teasers for the fans?

 Maaaaan. Thin ice here! What I can say is I think fans will appreciate seeing Cam through a different lens this season. Throughout season one, you only really get to learn about him through the eyes of Belly, which makes sense, as his whole arc is their relationship to one another. In season two, he kinda just gracefully stumbles back into the lives of his friends from last summer, all whilst living his own life. So, it’s a new, more independent leaning story for Cam, which I hope makes fans of his character happy. 

Full look Miu Miu

 You’re not a newcomer to the business—you’ve been in multiple films and series. I imagine the experiences you have on-set play a large role in your life. How has your understanding of yourself been influenced by the roles you’ve played? 

 Wow, great question. You’re coming with the heavy hitters! I could unpack that one for paragraphs, so I’ll keep it brief. I try my very best to keep my portrayal of characters in projects separate from my real-life identity, because it can get a little existential at times when that line gets blurred. But if we’re talking straight up experiences that I’ve had whilst on set with cast and crew, I wouldn’t trade all of that for anything. I think a big reason I feel as if I’m decent at communicating with people, is because I’ve grown up around people that do that for a living in such a beautiful way. Again, I could go on and on, so I’ll just leave it there. 


Speaking of communicating… your generation has more platforms to express themselves and be authentic and share with one another, as you do on social media. Do you enjoy engaging with your audience and are there ever any moments where you feel vulnerable?

 It’s a great thing to be able to interact with audiences of projects I get to be a part of. I’m mad grateful to be able to get such supportive comments and opinions from people who really seem to be affected, or moved, or simply entertained by the stuff I do on screen. It makes me feel like I’m doing something right, which is so heavily appreciated. 

Full look Prada

One thing you’ve got to love about acting is just the ability to lose yourself. What kind of stories are you interested in exploring and telling? Is there something you’re always on the lookout for in a script that excites you?

 To me, the more honest a script is, the more enticing. Again, the subjectivity and how relatable it is, is such a big reason why a story is told. Or even if it’s not the most raw, vulnerable story being told, as long as a script tries to achieve its specific goal in an honest, original way, I’m in. 


Artistically, creatively – are there any pieces of art, film, music or writers, actors that have inspired you, that made you realise things?

 I’ve got to say that Bo Burnham has probably inspired me the most in my young adulthood (such a fancy way of saying that), especially with his special Make Happy. He blends comedy, music, and honest storytelling in a masterful way. He’s the first one that comes to mind. When it comes to music, J. Cole has resonated with me like no other artist has, but the list definitely goes on.

Jacket, top & pants Miu Miu, shoes Emporio Armani

 So, tell me more about that list. Any directors and actors you’re itching to work with?

 It’s my dream to work with Spike Lee, and Phil Lord and Chris Miller are also two directors I’d die to be in collaboration with.


Let’s talk about your other projects, like Cinnamon, where you’re worked with Hollywood legend Pam Grier and the amazing Damon Wayans. What was that experience like, and what did you love most about doing the film?

 Working alongside Pam and Damon was so special because I never really acted in a scene with them. Damon and I never shared the screen, and Pam and I were only in one or two scenes together in which we barely communicated. That being said, the amount of respect that they both brought to set was a phenomenon to watch. Being around such acclaimed actors with such a sense of humility and love for everybody on set taught me so much. As to what I loved most about doing the film, it’s hard to pick one answer. It was one of the best experiences I had on a set, as it was my first lead, and I felt like I got to know everybody through and through. By the end of shooting (which was only about 19 days long), I felt like I had gone through the ringer with a new family of mine. Bryian Keith Montgomery (our writer and director) brought me one of the most collaborative experiences I’ve had on a set. A real dream. 

Left Full look Miu Miu

Right Ful look Prada

You’re also in the upcoming movie Fresh Kills, which is a reimagining of the typical mob movie. Who do you play, and did you watch any of the iconic gangster epics to really understand the genre?

 Yes! Fresh Kills! I play Bobby, who’s essentially the boyfriend of one of the leads of the film, Rose, who’s the daughter of a bigtime mob boss on Staten Island in the 80s and 90s. The movie is female led, as it tells the story of the silencing of women’s voices that was forced upon them as soon as they were born into the family. So even simply getting to be a part of such a fresh, original, empathetically written story, that was led by such heart wrenching performances, was so artistically fulfilling. I’m so proud to be a part of that roster. And I’m from Brooklyn…I got an understanding of the genre a loooong time ago. Haha!

 

Perfect lead into my next question! Being from Brooklyn and of Italian descent, please tell me you’ve jokingly used the line, ‘You talking to me?’ at least once in Starbucks when they called your name out for your coffee?

 Haha! I gotta say I’m not a big coffee guy, but I may just have to start drinking it to make this a reality. Thanks for the idea!

 

Full looks Prada

You’re welcome. You know that another famous Italian, Al Pacino, of Godfather-fame, studied at the same high school as you, LaGuardia. So, on a scale of 1-10, how much would you like to star alongside him on screen?

 10! Without question. 


So…. if you had to choose one… Robert DeNiro or Al Pacino?

 This is like forcing me to choose between two grandpas, are you kidding me? If you FORCED me to choose, I’d say De Niro. A Bronx Tale is one of the first movies I remember having a profound effect on me, and I didn’t watch The Godfather till I was in high school. Man. I can’t believe you made me choose. Messed up. 

Left Jacket & top Miu Miu

Right Top Acne Studios

Interview by Kate Lawson

Photography by Ritchie Jo Espenilla

Fashion by Shan Temuri

Grooming by Tomoaki Sato

Casting by Imagemachine cs

FLYING HIGH

Sasha Calle is soaring to new heights. Her portrayal of Supergirl has attracted tremendous attention, not only because she is the first Latina to portray the iconic character but also due to her rock-and-roll style - the blonde locks have been replaced by a grungy pixie cut. But for Sasha, it's not about the look. “Ultimately, as an artist, all I want to do is create art that people feel connected to and seen by. I think that's what comic books do. They make you feel represented," she confesses. Despite her recent success as an actor, she’s not done exploring the depths of her artistic identity. The next step? Music. "I would say with acting I can become someone else but with music, I get to learn who I am as a person and the things that I love,” she says. During our conversation, Sasha's vibrant personality shines as we delve into her passion for stunts, soap operas, and the significance of being labelled as an artist.

Full look Saint Laurent by Anthony Vaccarello

We have to start by talking about The Flash. As a comic book nerd, it’s the biggest thing happening right now. Surprisingly, this is your first feature film. What did it feel like to make your silver screen debut in a production of this size?

Well, I was only on a soap opera right before, I was on The Young and the Restless. And I got on that show a year and a half after graduating college. They both have their challenges. Being on a soap opera I had to learn 45 pages of dialogue a night and we did five episodes a week. It uses a different muscle from when you’re going on a massive movie like this. When you’re on a film set, you’re doing more like a page a day. But I did a lot of stunt training to prepare, which is absolutely my passion. Doing action is something I love but it’s a different beast. I think that any job in this business has its challenges. I’ve just been excited and blessed to have been a part of both experiences.

Sweater & pants Prada, bra Miu Miu

You mentioned your love for action, I’ve read that you do a lot of your stunts. Was that a passion you discovered while filming this movie?

I knew it before. When I was in college, I had a stage combat class where we started to learn how to pretty much fake fight. You know, not hitting people per se but more so the wind around them. I just fell in love with it. I’ve loved action movies my whole life. I started boxing back in 2018 because I wanted to prepare. I wanted to be in this world, and I wanted to be good when the time came. So, it was amazing when I got on set, and I already knew how to move and how to throw a punch. It was very natural when I got there. I just loved my whole experience with the stunt team.

Turtleneck Givenchy, boots Miu Miu

Movies like The Flash are known for their Easter eggs and nods to fans. How familiar were you with the comic book world and the Supergirl character?

I've watched a lot of superhero films with my brother. And we actually watched a lot of the Supergirl and Flash series on television. And obviously movies like the Man of Steel… I mean, they’re the biggest superhero films out there. So, I knew some things and some, I ended up learning after. And even now, as I continue to see the movie, I’m realizing things. It’s a very fun process, to discover so many new little things about a movie I worked on.

Full look Dorothee Schumacher

Superhero suits are their trademark, and you have a particularly cool one. How did it feel to see yourself with it?

It’s really cool, it’s honestly a dream come true. I’ve been getting a lot of photos from my friends and family of me in the suit and how impacted they feel by it and that’s a really beautiful thing to me. Ultimately, as an artist, all I want to do is create art that people feel connected to and seen by. I think that's what comic books do, they make you feel represented. That to me is what art is. It has been beautiful to see people connect with her suit but also her vulnerabilities and complexities.

Jacket Saint Laurent by Anthony Vaccarello, shorts and boots Miu Miu

Speaking of the importance of feeling represented, your portrayal of the first Latina Supergirl has opened a lot of conversation regarding diversity in the superhero world. What do you think of the discourse around it?

Well, first of all, let me mention I think we still have a long way to go. I think there’s been a lot of amazing people that have paved the way for me. They have walked this road and I’m fortunate and honoured to be a step in the right direction. Thankfully, we’re seeing a lot of Latinos and Latinas on the silver screen. We have Anthony Ramos with the Transformers movie. We have Xolo (Maridueña) coming up with the Blue Beetle movie, which is so beautiful because that is a Latin story. I think the most beautiful thing is that we’re sticking together, and we all see each other. That for me is what’s meaningful. I think we’re getting there, slowly but surely.

Full look Saint Laurent by Anthony Vaccarello

Super Girl usually has a more bubbly and feminine aesthetic, with blonde locks and a short skirt. But your version is androgynous... I would even say rock and roll. Was it freeing or scary to portray such a different version of the character?

I wasn’t scared. I always say Andy (Muschietti) picked me for a reason. I was only ever going to give my honest portrayal. Again, we’re back to the same conversation, it’s about representing the duality of human beings. It’s all about how she feels. She’s angry, and I think that’s why it’s so rock and roll. I love that way of describing her, I hadn’t heard it yet. It was freeing and exciting. I gave everything that I possibly could, that’s all I could do.

Do you feel like your sense of style has been affected by her grungier aesthetic?

I mean I still kind of have her hair, I have Andy to thank for that. I used to have luscious, long hair. And he asked me to cut it before I got the job. Even though I agreed on the spot, it was very hard for me at first. But I ended up kind of bodying it when I started letting it grow out in the back. And I love my hair now. I don’t see myself with long hair anymore. She gave me that and I am very grateful.

Full look Givenchy

Beyond acting you are also very passionate about creating music. Is that something we can expect from you in the future?

Absolutely. I mean, music is the whole reason I am here. Music is my heart and soul. The lyrics are all mine. I would say with acting I can become someone else but with music, I get to learn who I am as a person and the things that I love. And I’m getting there. It's almost there. But yes, it's absolutely something that I am going to do. Oh my god, I'm so excited. I can't wait. I'm so over keeping it in my Dropbox.

Throughout our conversation, you’ve emphasized identifying yourself with an artist. What does that label mean to you?

I just think I'm an artist in general. Art just kind of surrounds me. It inspires everything that I do. I don't know… I just exist and create whenever I can. It makes me feel grounded and connected to myself.

…

Interview by Pedro Vasconcelos

Photography by Shane McCauley

Fashion by Carolina Orrico

Hair by Candice Birns

Make-Up by Cedric Jolivet

Casting by Imagemachine cs

EMBRACING THE SILLY

For Fin Argus, starting to do drag has been a great way to explore their comedy chops. “I’ve been a silly bitch my whole life, but it has been an amazing exercise of trying to hone in on that and figure out how to make jokes land,” says the actor and performer. Now, Argus is getting to take their funny self to the next level in the best company, starring in probably the most hilarious show of the summer, HBO Max’s The Other Two. In the absurdist showbiz comedy, Argus portrays the role of Lucas – a successful twinky actor whose extremely method acting approach gets in the way of his relationship with the show’s protagonist played by Drew Tarver. We caught up with Argus for our digital cover story to talk about getting a front-row seat to watch masters of comedy at work, their feelings about method acting and the series’ thoughtful commentary on what it means to be a queer actor today.

The Other Two has been my go-to show for laughs lately – it’s so good! Were you a fan of the series before you got a part in it?

 I watched the entire show in two nights right around when the second season came out. I binged the whole thing and I was obsessed. Everyone’s so funny in that show, it’s almost offensive. [Laughs] I’m so jealous of their comedic skills. But yeah, I was so excited to even just get the audition because I’ve never done full-on comedy before – being a part of it has been genuinely a dream come true and I had so much fun [doing it].

 There are so many comedy legends, as well as super talented newbies that are a part of this…

 Yeah, Molly Shannon is a powerhouse of a comedian. But then you also get to see newer actors like Drew [Tarver], who I do most of my scenes with. He is hilarious in every scene – I love the choices he makes as an actor.

 Your character on the show has a very over-the-top approach to method acting. Have you ever had a moment in your career when you also gave this technique a try?

 I think that method acting is intense. It’s not something that I would consciously choose to do because I feel like when you blur the lines between work and personal life, that tends to have some consequences on your relationships. It’s not something that I would normally get into and it’s also something that, honestly, I find a little cringy. So it was really fun to poke fun at it. That said, I have been told before that I have method tendencies. [Laughs]

 No way! [Laughs]

 And it’s not a conscious thing at all! So I don’t really know what to make of that because I already find that embarrassing. [Laughs] But you know, I’ve done some really heavy, dramatic roles and I’ve been put into situations where the line between work and personal life does get blurry – that’s sort of out of my control. So I would say that I’ve dipped a toe in the water of method acting but it’s not something that I would like to do on purpose again.

 What was that moment?

 Here’s the thing: if I’m going to build out a character, I want to understand the motivations of that character. For example, in Queer as Folk, my character was a drag queen. And I had never done drag, never watched Drag Race, I’d maybe been to one drag show. So it was really important for me to understand that culture and become a part of it in some way because I didn’t want to play a drag queen and have no idea what I was representing. I started going to a lot of drag shows and I started doing drag myself – and I can understand why someone might think that’s method – but it was also an excuse for me as a genderqueer person to just break myself open anyway. It’s hard as an actor to allow yourself to be the queerest version of yourself. Especially because I’ve always played the very ‘boy next door’ type of characters – the first character that I method play in The Other Two is sort of the character that I have played my entire life. That’s why Queer as Folk was an opportunity for me to break open. And I used that in my personal life. I was like, ‘You know what, this is a great opportunity to throw caution to the wind and dress the way I want to dress.’ So it’s kind of like, which came first: the chicken or the egg? I really wanted to play that character because I wanted to give myself permission to explore my queerness.

 Out of the many intense things that your character does on The Other Two, which one was the hardest to play seriously?

 I would say it would have to be the episode where I play the serial killer. Filming that was hilarious – I think I only had one line in the entire episode but I’m just around all the time in the background. I just had so much fun with the physical comedy of it all and I was cracking up and people in video village were cracking up as well. Also, it was the hardest one to take seriously because I felt really spooky and I didn’t want to scare people. [Laughs]

 In another episode, your character is a part of the play Eight Gay Men with AIDS: A Poem in Many Hours, which provided some very thoughtful commentary on what deems a ‘prestigious gay role’ in the industry. As a queer actor, what are your thoughts on this dynamic and what type of projects would you like to see more of when it comes to queer stories?

 Well, first and foremost, I appreciate that those types of stories are being told. We’ve seen a lot of it though and seeing queer trauma over and over again gets a little exhausting, especially as a queer person. So I feel like a lot of the time, those stories are revered by people that aren’t even a part of the community and are played by people that aren’t part of the community. That’s where it starts to rub for me because I want to see queer people in roles where their queerness is more incidental – where it’s not necessarily the story, it’s part of the character. I want to see queer people in genre cinema, whether it’s a psychological thriller or fantasy. I would love to play a little fairy with a magic wand, you know? [Laughs] That sounds great. But a lot of the queer stories that end up getting to production do have this element of heavy trauma. And I think it’s important to recognize that modern queerness is not entirely divested from the experience of trauma because that is a reality, but I think we’re missing on an opportunity to manifest a world in which queerness is more incidental and people are living within a wide range of experiences, whether it’s fun, romance, mystery, or horror. I hope that, going forward, queer people aren’t relegated to stories just about their trauma.

 

You said this was your first foray into full-on comedy. Is that something you would like to do more of in the future?

 Definitely. It’s something that I got into because I started doing drag and all my drag is very comedy-oriented – none of it is snatched and beautiful, it’s very silly, nasty and crunchy. I just appreciate having a platform to explore comedy right now because I’ve been a silly bitch my whole life, but it has been an amazing exercise of trying to hone in on that and figure out how to make jokes land. That’s why I felt really lucky to have worked on The Other Two and get a front-row seat to see how these hilarious actors, comedians, writers and directors work.

…

Interview by Martin Onufrowicz

Photography by Hadar Pitchon

Make-Up & hair by Anna Bernabe

THE EVERY-WOMAN

You probably know Bel Powley best in a comedy role. Storming the scene as an indie darling with Diary Of A Teenage Girl, her latest project comes full circle back to another famous diary – Anne Frank’s.

In A Small Light, Bel plays Miep Gies, the woman that hid the Franks and eventually would rescue the important diary. Still embed with her signature comedic flair, bringing out the normalcy and relatability in the historic drama, we spoke to Bel about the lessons learnt from such a vital role.

Full look Prada, locket Slim Barrett, tights Falke, shoes John Lawrence Sullivan

In a Small Light you play Miep Gies – how did you find preparing for a historic character rather than a fictional one?

It’s such an important part of history so you do feel a sense of responsibility. But I discovered my process is the same, whether it’s a real or a fictional person. Of course with a real person, there is more to draw from – there are so many movies about this part of history, and so many books; there's a plethora of material that I could have drawn. But the first thing I did was go to Amsterdam. The city really is a character in the show. Our showrunners gave me Miep’s cycle routes so I cycled her route to work or where she took Margot through the checkpoint. I’m also very lucky that she wrote an autobiography. You get a such a sense of her vivaciousness and cheekiness from reading that. I read it cover to cover several times.

But at the end of the day, even though it’s a true story we’re handed scripts and narritives. Once we started filming I kind of threw my research out and focussed on being present in the moment.

Left Full look Miu Miu, shoes GH Bass, necklace & earring Slim Barrett

Right Knit Contemporary Wardrobe, badges Nathan Henry, earrings Slim Barrett

Right Knit Contemporary Wardrobe, badges Nathan Henry, dress & shoes Molly Goddard, tights Falke, earrings Slim Barrett

I noticed the lack of accents in the show, I imagine that helped you focus more on the emotional performance?

Absolutely. And beyond even just the accents, one of the reasons that I wanted to be a part of this show was that they kind of threw out formal period language. So often with historical dramas the olden day speak can make you feel disconnected from it and as an actor it helps you connect so much better because you have freedom to improvise without worrying about accent and you don’t feel like its all in the past.

Dress Stefan Cooke, denim Frame, shoes Gucci, badge Nathan Henry, jewellery Slim Barrett

Jumper by Christopher Kane, skirt Pariser, earrings & pendant Slim Barrett

It definitely made it feel very present, serving as a reminder that these people were just like you and me…

Totally. That’s something we reminded ourselves of every day. Like yes, it was 1942 but it was modern times for these people. They were like times ‘I've got the newest washing machine, I'm wearing the newest fashions, I live in a really liberal country where there no way a crazy person like Hitler will ever be able to come into my country’. I think it was a really clever angle at a time when there are alarming parallels with what’s going on in our world today - like anti-Semitism is on the rise again, and there’s a ground war in Ukraine.

Full look Prada, locket Slim Barrett

What was the biggest thing you learnt from Miep?

When I read the script I was immediately thinking what would I do in this situation. She’s so relatable, she’s an every-woman, just a normal girl in her 20s falling in love, trying to find a job, you know. We haven’t put her on a pedestal or thought of her as this saintly hero you feel distanced from. And it’s the normalcy that was so important. It was her mantra; “Anyone, even an ordinary secretary, or housewife, or teenager can turn on a small light in a dark room.” And I think that's the message - you can be an everyday hero. She really believed it and maybe since doing this project, I do too.

Left Full look Prada, locket Slim Barrett

Right Shirt LEJ London, skirt MM6, socks Falke, earrings & necklace Slim Barrett

…

Interview by Lucy Harbron

Photography by Erika Denis Febles

Fashion by Nathan Henry

Casting by Imagemachine cs

Hair by Dayaruci at The Wall Group using Oribe

Make-Up by Naoko Scintu at The Wall Group using La Roche-Posay

Stylist’s assistants Rachel Allison & Su Krikken

LIFE LESSONS

Meeting a young creative full of inspiration, insight, and purpose, right as they’re hitting their stride, riding high with the constellations aligned, always brings a sense that great things are coming. That’s exactly what’s happening in the world of 26-year-old model, Dakota Lohan. Born into a biz family (his famous siblings are Ali and Lindsay), it was only a matter of time before he signed up to the dizzying heights of stardom, beginning with perfecting his best blue steel pose. We caught up with him to find out more…

Full look Saint Laurent by Anthony Vaccarello, glasses Oliver Peoples

Your Instagram bio says, ‘Love everyone and never forget to love yourself’. What’s been the biggest learning experience so far on your journey of self-discovery and belief in yourself?

As compassionate as I am with people, I also want to be just as compassionate with myself. 

How has Instagram shaped your relationship with appearance, not just in terms of professionally being a model, but also in how you want to personally present yourself and be perceived by others?

I present myself authentically, because it’s important that people know that we can all relate to each other, and that we’re all human.

Left Jacket, top, pants, belt and shoes Versace

Right Full look Prada, sunglasses Oliver Peoples

Do you have any sound advice for young people that might be struggling with how to love themselves?

Know that you’re never alone and find your own escapisms that make you happy and fulfil you. 

Who is your hero?

My hero is my mom. She’s the strongest woman I know.

Full look Valentino, sunglasses Oliver Peoples

Speaking of strong women, you’ve followed in your sister Lindsay’s footsteps with acting, you obviously look up to her too then?

Yes, I think my sister showed me the ropes of acting, then I found my own fulfilment and love with it.

What are your personal and professional highlights of this year so far?

A professional highlight is doing the upcoming Netflix movie Irish Wish with my sister [due out in 2024], and a personal highlight is finding my own niche and connecting with my creative side.

Left Jacket, shirt and pants Giorgio Armani, silver bracelets Le Gramme

Right Full look Saint Laurent by Anthony Vaccarello, glasses Oliver Peoples

Yes, let’s talk more about your creative passions. What have you learned so far about being a model?

That you have to accept that you don’t get cast for every shoot, but you have to be resilient and believe in yourself. 

Describe your style in three words?

 Unique, carefree and whatever is clean!

Who’s your favourite designer?

Prada, and I also love to find stuff in thrift stores. Doesn’t matter what designer they are as long as it’s cool!

Left Full look Prada, sunglasses Oliver Peoples

Right Jacket & pants Louis Vuitton, shirt Saint Laurent by Anthony Vaccarello

What do you think you’d be doing if you weren’t modelling?

Well, I’m currently involved with a company called Find Your Anchor which is a suicide prevention and mental health non-profit organisation, and I feel passionate about working with them.

What kind of things outside of work do you do, that make you happy?

 Hanging out with my friends, skating, and journaling.

Left Jacket Louis Vuitton, shirt Saint Laurent by Anthony Vaccarello

Right Jacket, top, pants, belt and shoes Versace, socks Falke

Tell me your hopes and dreams for the future, and what are you most excited about….?

I’m excited about continuing to learn about myself. I really hope that whatever I achieve with acting and modelling can positively affect people in the future

…

Interview by Kate Lawson

Photography by Alexander Foreman 

Fashion & production by Alexey Kazakov 

Hair by Tonya Pushkareva using Balmain Hair Couture 

Grooming by Tatiana S. Irving using YSL Beauty 

Casting by Josef Bronfenmajer

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