Rick Owens, faithful to his dystopian world, showcased a collection where futuristic, minimalist aesthetics blend seamlessly with artistic vision. The offering feels far sexier and, surprisingly, more wearable and commercial than previous ones, with looks such as leather jackets paired with shorts and boots.
Titled Temple, the collection was meant to showcase “tough clothes for tough times.” True to his brand, the apocalyptic aesthetic invited us into a realm where artistic creation is messy, dramatic, and catastrophic. Hair and makeup appeared stark and stripped down, perfectly aligning with the otherworldly looks.
There is a strong focus on the female body, whether by wrapping it in bodycon, see-through dresses or by covering it with sculptural long tunics and fluid drapery. The designs emphasise elongated silhouettes, layering, and textures that merge sheer fabrics, draping, and structural elements.
Movement appears in slim, elongated lines with floor-length gowns, contrasting with rigid, sculptural details such as sharp shoulders. As always, Rick Owens’ constructions are eclectic, sculptural, and architectural, creating a sense of monumentalism in each look. Fringe and cutwork details on jackets add both fantasy and raw deconstruction.
The colour palette remained restrained, limited to black, white, and pastels. The collection stayed true to the codes and unique DNA of Owens’ shows, but with wearability in mind — a key element that set this presentation apart. And, as always, leather took centre stage, underscoring the brand’s unmistakable edge.
Words by Carolina Benjumea
