last

CELINE HOMME FW24

Six years into his tenure at Celine, Hedi Slimane continues to expand the house’s aesthetic legacy. The secret to his unceasing success lies in his ability to use what he's best known for to wordlessly broaden the definition of what Celine means today. The brand’s Homme Fall/Winter 2024 collection, titled Symphonie Fantastique is just that - an intricate orchestra of references, all masterfully conducted by Slimane.

Named after a symphony by Hector Berlioz from 1830, the composition is often considered an innovative precursor to psychedelic music. The creative director reminisces about the first time he heard it when he was just 11 years old, remembering his immediate infatuation with the piece. The track – which plays for the entire 14-minute movie presenting the menswear collection – remains one of Slimane’s personal favourites. Labelling Celine’s digital show as a film isn’t accidental; Slimane’s knack for the cinematic is on full display. In the Mojave Desert, a fleet of Celine helicopters descends from the sky, dropping off a similarly branded jukebox that catalyses the soundtrack inspiring the show’s name.

In black and white, a grievous procession of Cadillacs commences. Slowly, models start to walk on the asphalt runway. As in his previous womenswear collection, the 1960s inspiration is in full swing: slim leather jackets, collarless cropped blazers, slim pants, elegant boots - all capped by shaggy hairdos.

But the decade’s inspiration isn’t the only element carried over from Slimane’s previous show. The creative director expands his couture offerings with encrusted capes and glittering suits that shine brilliantly under the blazing desert sun. The designer’s more intricate pieces don’t feel self-indulgent; even when approaching the peak of luxury, he maintains a subdued coolness. Perhaps subdued isn’t the first word that comes to mind when watching the fully rhinestone gold coat walk down the empty road, but there’s a refreshing sobriety to Slimane’s extravagance.

Yet even among glittering capes and shiny suits, the collection’s most exciting feat is Slimane’s comeback to his design origins. Having built his name on sharp and slim tailoring, Celine’s Homme Fall/Winter 2024 collection marks a return to form. Slender silhouettes and pinstripe three-piece suits are a joyous reminder of the designer’s biggest strength.

The collection’s Western flair is unmistakable. Between aerial shots of the mountains and clips of Brayden Libero (a real-life cowboy) and his horse, Frijole, Slimane dips into the Western revival in pop culture. It isn’t just in the mood of the show; subtly flared pants and wide-brimmed hats find their natural habitat in the desert background.


Words by Pedro Vasconcelos

GUCCI CRUISE 24/25

In 1897, Guccio Gucci served as a bellboy at the Savoy Hotel. 127 years later, Kate Moss roams through the corridors of the British landmark in a slinky lingerie minidress and a giant coat as a prelude to Gucci’s cruise 2024/25 show. Despite the impact of the British capital on the brand’s heritage, the London Sabato de Sarno sees is far off from the Victorian city Gucci’s founder encountered.

Naturally, Gucci’s show took place in a London landmark that speaks to this new vision: the Tate Modern, or more specifically, the Blavatnik Building - De Sarno has an undeniable preference for brutalist settings. This time, however, the industrial edge is met with a natural softness, as the concrete walls magically grow vegetation.

Descending from the spiral staircase came the first looks. Neutral, wearable, and classic; denim was paired with caramel suede and pale yellow chiffon. The signature Ancora red wasn’t just present in the bannisters outside the museum, it was frequently seen as a pop of colour in neutral looks or monochromatic playsuits and full leather sets.

Despite the distance from De Sarno’s and Guccio Gucci’s London, there were some faint Victorian tinges, particularly in intricate white lace pieces ranging from skimpy sets to tight maxi dresses.

As it has become the custom of the new Gucci, simplicity is frequently cut with elaborate luxury. For the cruise collection, intricate embroideries and mind-bending embellishments were an elegant display of craft. An empire silhouette dress utilised the curious embellishing technique to distort colourful tartan into delicate fringe that blended light pink into a deep sage green as it descended the body. The square fringe embellishments, perhaps an allusion to the stereotypically British pattern, were again seen in oversized minidresses and light green sets.

Bags were both mini and maxi, the latter inflating the classic Jackie model into assertively practical proportions.  Completely transparent sets of short-sleeve shirts and long skirts revived the original purpose of a cruise collection - holiday wear.

The collection reached its end on a striking note, with pleated flowy dresses sensually grazing the green and grey maze as the models walked back up the imposing staircase. 


Words by Pedro Vasconcelos

CHANEL CRUISE 24/25

Last season, Virginie Viard brought the Atlantic seaside to Paris, but for Chanel’s cruise 2024/2025 collection, the designer juxtaposes Parisian sensibilities with the Mediterranean breeze. Presented in Marseille, the cultural mecca of the French Mediterranean coast, the show was a fun, lighter take on the Chanel identity, intertwining classic house codes with a sabbatical edge.

Over Viard’s reign at the helm of Chanel, the designer has deepened the brand’s connection to film, effortlessly blending cinematic narratives with the clothes she creates. For this cruise season, the film that preceded it was a dynamic portrayal of Marseille as a city of both deep history and effervescent creative culture. Dancers of the Ballet National de Marseille danced with Marion Barbeau in the city’s most identifiable landmarks. The preview for the movie (and the collection) ended atop the MAMO Centre d'art de la Cité radieuse de Marseille. The show picked up right where the short preview left off, on the roof of the iconic building.

The collection opened with a classic tweed Chanel suit in a bubbly shade of green, unorthodoxly paired with a thin grey hoodie. If taken as a casual styling decision at first, hoods proved to be a constant, at times used to lighten up classic silhouettes, and at others to fulfil practical necessities. Yes, a Chanel scuba mini-dress is a necessity.

Crochet was woven throughout the show, from grey miniskirt-and-cardigan sets to halter mini dresses, adding to the youthful feel. There were space-age inclinations, like a silver plaid mini and jacket set, monochromatically matched with a ribbed tank top. Multicoloured pebbled pockets mirrored the show’s location, drawing inspiration from the retro-futuristic energy that emanates from the museum. The collection culminated in 12 white looks that ranged from extremely casual to what could only be described as appropriate beach wedding attire. 

Under Viard’s guidance, Marseille becomes Chanel’s playground. From two films directed by Ladj Ly to a photo diary by Jamie Hawkesworth, with time for a broadcast appropriately named Radio Chanel, the brand doesn’t just use the city’s cultural atmosphere for inspiration, it actively contributes to it. 


Words by Pedro Vasconcelos

EGONLAB FW24

For their ninth show, Egonlab presents a collection that cements the house codes while adding unexpected interest. Named "ONLY LOVERS LEFT ALIVE," the Fall/Winter 2024 offerings reinterpret the brand’s tailored punk aesthetic.

One thing can be expected from the Parisian brand: the silhouette is always a focal point. Oversized shoulders, defined waist, flared bottoms — Egonlab has a signature shape. This season was no different. The collection opened with a deliciously heavy jumpsuit that reflected the brand’s classic silhouette, followed by tightly tailored jackets that continued the same architectural narrative.

Despite its strong identity, Florentin Glémarec and Kevin Nompeix, the creative duo behind the brand, infuse elements of interest into every collection. This time in the shape of interestingly draped coats and pants, shirts that clung from golden neck hoops and invisible shirts with oversized labels that read “100% human.” The last reveals the brand’s commitment to highlighting mental health awareness, having recently partnered with the organization PSYCOM.


Words by Pedro Vasconcelos



TOD'S FW24

In the fast-paced world of fashion, Tod's once again bet it all on tradition and craftsmanship with its Fall/Winter 2024 menswear collection. The palette is a sophisticated symphony of earthy tones and muted neutrals, reflecting the season's essence. The concept of quiet luxury has been seen all over our social media feeds for quite a while now and doesn’t seem to be going away. That’s precisely what Tod’s excels at. The accent is definitely placed on quality and wearability in this collection featuring simple, razor-sharp cuts in the highest-quality materials. Jackets and trousers are crafted from buttery-smooth leather and paired with sartorial essentials. The carefully selected hues and the focus on everyday “basics” showcase the brand's commitment to creating pieces that transcend fleeting trends.

Following the departure of ex-artistic director Walter Chiapponi to Blumarine, Tod’s is reaffirming the brand's status as a purveyor of timeless style. The brand circled back to its roots throughout this transitional phase and unveiled the PASHMY project: a search for the most exclusive and precious materials allied to the craftsmanship know-how of companies dedicated to maintaining Italian quality standards. Tod's continues to prove that there is an enduring beauty in embracing traditions. Don’t get me wrong, the brand’s staple style is modern and far from feeling nostalgic. The fashion is highly wearable and proves that instilling traditional crafts in a collection isn’t necessarily estranged from capturing the mood of the time – if it ain’t broke, don’t fix it, after all.


Words by Marien Brandon

PRADA FW24

There is always depth in a Prada show. Clothes are utilized by Miuccia Prada and Raf Simons as instruments to illustrate intellectual concepts. When attendees walked into an office space with glass tiles that revealed a natural landscape, they knew they were in for a treat. So, they sat on their swivel chairs and prepared to be fed, cerebrally that is. 

Continuing their exploration of workwear, the brand’s menswear Fall/Winter 2024 collection reflects the dissonance between office work and nature. Seeking to establish a dialogue, a slew of tailored jackets and trousers appeared, all paired with swim caps. If the neutral suits ranged from deep navy to smoky brown, the tight caps fluctuated between Prada’s rainbow colours — deep purple, bright red, disconcerting green. 

Beyond the swimming headgear, accessories were a focal point of the collection. Oversized belts were intricately stylized, used both at the hip to hold low-rise trousers and over blazers, creating a silhouette reminiscent of the brand’s past menswear collection. 

After a brief nautical dive, with double-breasted coats and bomber jackets with shiny gold buttons, the collection’s last section returned to office wear. In what is the perfect iteration of business casual, the show ended with matching denim trousers, shirts and ties.


Words by Pedro Vasconcelos

FENDI FW24

What do Silvia Venturini Fendi and Princess Anne have in common? That is, besides being influential women from royal families (the first proverbially monarchic, the second literally). Surprisingly, their fashion inclination. For Fendi’s latest menswear collection, the Italian designer took inspiration from the princess’ wardrobe, effortlessly encapsulating rural femininity.  

Kilts in earthy neutrals offset waterproof wax jackets. Delicate knit cardigans juxtapose flat-front checked skorts. As usual, the accessories reign king from top to bottom. From wax hats that pointed us directly to the source of inspiration, through the oversized bags, all the way to Wellington boots on the feet. 

Never one to dismiss heritage, Venturini Fendi cleverly rethinks the fabrics most associated with the Roman brand. For Fall/Winter 2024, leather is utilized in decadent wide-leg trousers. Suede is made to resemble pillowy corduroy that bounces as models zigzag around elongated brushed steel FF monograms. 


Words by Pedro Vasconcelos