For Spring/Summer 2027, Issey Miyake introduced a collection inspired by the Japanese aesthetic concept of ma, referring to the gap or interval between things. For this offering, the concept is translated into the space between garments and the body.
This season, clothes are made for more than just covering or adorning. They create a dialogue between the garment and the body, one where graceful movement becomes the language and construction the medium of expression.
Each piece seems to have a life of its own. Garments breathe, move, transform and shapeshift according to the wearer’s movements. Through this approach to creation, fabric becomes more than just an object; it becomes a dynamic element capable of transforming and giving the body a new sense of freedom.
Highly experimental, the pieces showcase a mastery of construction techniques that is signature to the brand. Sculptural, voluminous silhouettes and asymmetrical shapes create an ethereal feeling as they move gracefully down the runway. Floating volumes, draping, layering and deconstruction give the collection its avant-garde and poetic sensibility.
The signature Miyake pleating is present throughout the garments, making them swirl, bounce and transform with each movement. Exaggerated collars, ruffles and cascading volumes enhance the sculptural approach of the pieces. Moulded bodices introduce a futuristic approach to the collection. This contrast between sculptural forms and fluid silhouettes adds a sense of richness.
Colours and textures contribute to the opulent visual language. Vibrant hues, including royal purple, bright blues and yellow, alongside lavender and pink accents, stand out against the black runway, creating a dynamic interplay. Metallic finishes also interact with movement, adding an energetic dimension. The interaction between construction, colour, shape, texture and movement results in a creative and experimental conception of modern fashion, where technology and artistry merge to create garments that feel like works of art in motion rather than simply clothing.
Words by Carolina Benjumea
